
St. Mary Magdalene at the Foot of the Cross
Jan Muller (d. 1628)
1593 · Engraving; New Holl.'s first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
343 ms. The Metropolitan Museum of Art, Collection API (Open Access)
286 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,332 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

St. Mary Magdalene at the Foot of the Cross
Jan Muller (d. 1628)
1593 · Engraving; New Holl.'s first state of two
Cleared · Public Domain
live
View of the Lake and the Island from the Lawn at Kew
William Marlow (d. 1813)
1763 · Watercolor
Cleared · Public Domain
live
The Lake at the Foot of Half Dome
Carleton E. Watkins (d. 1916)
1861 · Albumen silver print from glass negative
Cleared · Public Domain
live
The lake of Kuggsuak at Tasermiut, Greenland
Lars Møller (d. 1926)
1863 · Color lithograph
Cleared · Public Domain
live
The Lake of Zug
John Ruskin (d. 1900)
1888 · Etching and mezzotint; proof
Cleared · Public Domain
live
House post figure
Lake Sentani artist
19th century · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Llanberris Lake, Dollbadern Castle at the foot of the great mountain Snowdon
Paul Sandby (d. 1809)
1786 · Watercolor over aquatint and roulette
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lake at the Foot of the Blumlis Alp, in the Ascenthal
William Henry Bartlett (d. 1854)
1836 · Etching and engraving, with hand-coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Rural Lake
Frances Flora Bond Palmer (d. 1876)
1857–71 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
House post
Lake Sentani artist
19th–20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
At Lake Garda
Hans Thoma (d. 1924)
1907 · Oil on millboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady of the Lake
Horace Pippin (d. 1946)
ca. 1936–39 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.