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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    276 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    298 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 298 matching records exist across the two collections.

Results for "Lambeth Palace, in Surrey, Plates 1 and"12 records

Institutions answered newest-first by record, interleaved

Design for The Magic Flute:  The Hall of Stars in the Palace of the Queen of the Night, Act 1, Scene 6 by Karl Friedrich Schinkel, The Metropolitan Museum of Art

Design for The Magic Flute: The Hall of Stars in the Palace of the Queen of the Night, Act 1, Scene 6

Karl Friedrich Schinkel (d. 1841)

1847–49 · Aquatint printed in color and hand colored

Cleared · Public Domain

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The MetSimilar
Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2) by William Satchwell Leney, The Metropolitan Museum of Art

Before the Duke's Palace–Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2)

William Satchwell Leney (d. 1831)

first published 1800; reissued 1852 · Stipple engraving

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bird's-eye view of a palace and a square with fountain, plate 41, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View into a palace courtyard with ducks in a pond, plate 45, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a palace courtyard surrounded by a colonnade, plate 43, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View of a street with houses on both sides and a palace in the foreground at left, plate 34, from Variæ Architecturæ Formae

Hans Vredeman de Vries (d. 1606)

Published after 1601 · Etching; second state of two (Hollstein)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting a large vase in a peristyle of a palace, from Vases à la moderne, plate 1, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

published 1659 · Etching; first state of two (Préaud)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Anaxarete changed into a rock, plate 1 from a series of six plates depicting fables, bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

17th century · Etching; second state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Fragment of an antique palace with a man directing workers in the left foreground, from a series of six plates depicting palaces and landscapes, plate 1

Jean Le Pautre (d. 1682)

17th century · Etching; first state of two (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Page depicting two vases in profile on a table within a palace, from Vases ou burettes à la romaine, plate 1, bound in Oeuvres. Vol. III

Jean Le Pautre (d. 1682)

17th century · Etching; fourth state of five (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Plates 1 and 2 from "Troisième Cahier du Recueil d'Ornemens [Guichets de Clagny]" (Designs for decorated wall panels from the Castle of Clagny)

Elisabeth Brinclaire (d. 1851)

ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Lambeth Palace, in Surrey, Plates 1 and 2

William Ellis (d. 1810)

1790 · Etching

In copyright

live
The MetSimilar

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