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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    300 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    340 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,784 matching records exist across the two collections.

Results for "Landscape No. 25"12 records

Institutions answered newest-first by record, interleaved

Heart Sutra (Hannya Shingyō) and Landscape by Ike no Taiga, The Metropolitan Museum of Art

Heart Sutra (Hannya Shingyō) and Landscape

Ike no Taiga (d. 1776)

1776 · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar
Portrait of Sandford Peacocke by William Wood, The Cleveland Museum of Art

Portrait of Sandford Peacocke

William Wood (d. 1809)

1801 · Portrait Miniature, watercolor on ivory in a gold frame with glazed reverse

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape after Li Bai's poem by Ike no Taiga, The Metropolitan Museum of Art

Landscape after Li Bai's poem

Ike no Taiga (d. 1776)

probably 19th century · Pair of two-panel screens, originally sliding-door panels; ink on paper

Cleared · Public Domain

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The MetSimilar
Liber Veritatis:  No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing by Richard Earlom, The Cleveland Museum of Art

Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing

Richard Earlom (d. 1822)

1774 · Print, etching and mezzotint

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Camera Work, No. 25

Alfred Stieglitz (d. 1946)

January 1909 · Printed book with photogravure illustrations.

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape No. 25

Marsden Hartley (d. 1943)

ca. 1908–9 · Oil on commercially prepared paperboard (academy board)

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ceramic Form No. 25

Leza McVey (d. 1984)

1950 · Stoneware

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude No. 25

Irving Penn (d. 2009)

1949–50 · Gelatin silver print

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nude No. 25

Irving Penn (d. 2009)

1949–50 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cologne Landscape No. 6

Ralston Crawford (d. 1978)

1951 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Circle Image No. 25

Louis Schanker (d. 1981)

1954–55 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Harold Brown Esq: "No.25"

Ogden Codman, Jr. (d. 1951)

ca. 1894–95 · Watercolor and pencil on paper

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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