
Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga (d. 1776)
1776 · Hanging scroll; ink on paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
300 ms. The Metropolitan Museum of Art, Collection API (Open Access)
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,784 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Heart Sutra (Hannya Shingyō) and Landscape
Ike no Taiga (d. 1776)
1776 · Hanging scroll; ink on paper
Cleared · Public Domain
live
Portrait of Sandford Peacocke
William Wood (d. 1809)
1801 · Portrait Miniature, watercolor on ivory in a gold frame with glazed reverse
Cleared · CC0
live
Landscape after Li Bai's poem
Ike no Taiga (d. 1776)
probably 19th century · Pair of two-panel screens, originally sliding-door panels; ink on paper
Cleared · Public Domain
live
Liber Veritatis: No. 25, A Mountainous and Wooded Landscape with Shepherds Playing and Goats Browsing
Richard Earlom (d. 1822)
1774 · Print, etching and mezzotint
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Camera Work, No. 25
Alfred Stieglitz (d. 1946)
January 1909 · Printed book with photogravure illustrations.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape No. 25
Marsden Hartley (d. 1943)
ca. 1908–9 · Oil on commercially prepared paperboard (academy board)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ceramic Form No. 25
Leza McVey (d. 1984)
1950 · Stoneware
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 25
Irving Penn (d. 2009)
1949–50 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Nude No. 25
Irving Penn (d. 2009)
1949–50 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cologne Landscape No. 6
Ralston Crawford (d. 1978)
1951 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Circle Image No. 25
Louis Schanker (d. 1981)
1954–55 · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Harold Brown Esq: "No.25"
Ogden Codman, Jr. (d. 1951)
ca. 1894–95 · Watercolor and pencil on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.