Box with the Parable Prodigal Son and Scenes of Lovers
Unrecorded maker
14th century · Elephant ivory
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
1456 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
338 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,649 matching records exist across the two collections.
Results for "Landscape With the Parable of the Wheat"12 records
Institutions answered newest-first by record, interleaved
Sleeping Peasants near Fields (Parable of the Weeds)
Simon de Vlieger (d. 1653)
1650–53 · Painting, oil on canvas
Cleared · CC0
liveCleveland Museum of ArtSimilar
Landscape with Figure
The Veneto (d. 1529)
early 16th century · Pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
The Parable of the Vineyard (one of a set of 12 scenes from The Life of Christ)
Jan Rombouts (d. 1535)
ca. 1525–30 · Stained glass
Cleared · Public Domain
liveThe MetSimilar
Parable of the Good Shepherd
Philips Galle (d. 1612)
1565 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Woman with broom and coin ("The Parable of the Lost Piece of Silver")
Ralph Wood the Younger (d. 1795)
ca. 1780 · Lead-glazed earthenware
Cleared · Public Domain
liveThe MetSimilar
The Parable of the Wise and Foolish Virgins
William Blake (d. 1827)
ca. 1799–1800 · Watercolor, pen and black ink, brush and wash, over graphite
Cleared · Public Domain
liveThe MetSimilar
![The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ) by Sir John Everett Millais, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP835787.jpg)
The Parable of the [Ten] Virgins (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais (d. 1896)
1864 · Wood engraving; proof
Cleared · Public Domain
liveThe MetSimilar
The Tares (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais (d. 1896)
1864 · Wood engraving; proof
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Strapwork cartouche with the Parable of the Sower
Hans Vredeman de Vries (d. 1606)
ca. 1571–80 · etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape With the Parable of the Wheat and the Tares
Jacob Matham (d. 1631)
1605 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with the Parable of the Wheat and the Tares
Joannes Barra (d. 1634)
n.d. · Engraving
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.