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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    2077 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    6 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 121 matching records exist across the two collections.

Results for "Landscape with Boats (from McGuire Scrap"11 records

Institutions answered newest-first by record, interleaved

Plaque with landscape by an unrecorded maker, The Metropolitan Museum of Art

Plaque with landscape

Unrecorded maker

ca. 1755 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Landscape with a Scene from Fénelon's Télémaque by Jean Jacques Lagrenée, The Metropolitan Museum of Art

Landscape with a Scene from Fénelon's Télémaque

Jean Jacques Lagrenée (d. 1821)

1780 · Brush and brown wash, white gouache, on blue-washed paper

Cleared · Public Domain

live
The MetSimilar
Pier with Boats (from McGuire Scrapbook) by Shepard Alonzo Mount, The Metropolitan Museum of Art

Pier with Boats (from McGuire Scrapbook)

Shepard Alonzo Mount (d. 1868)

1840 · Graphite on off-white heavy-weight wove paper

Cleared · Public Domain

live
The MetSimilar
River Scene (from McGuire Scrapbook) by Thomas Doughty, The Metropolitan Museum of Art

River Scene (from McGuire Scrapbook)

Thomas Doughty (d. 1856)

1840 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Indians Returning from the Hunt (from McGuire Scrapbook) by Charles Lanman, The Metropolitan Museum of Art

Indians Returning from the Hunt (from McGuire Scrapbook)

Charles Lanman (d. 1895)

1841 · Graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook) by Thomas F. Hoppin, The Metropolitan Museum of Art

Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook)

Thomas F. Hoppin (d. 1872)

1841 · Graphite on off-white Bristol board

Cleared · Public Domain

live
The MetSimilar
Landscape with Tower (from McGuire Scrapbook) by Thomas Cole, The Metropolitan Museum of Art

Landscape with Tower (from McGuire Scrapbook)

Thomas Cole (d. 1848)

1848 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar
Landscape with Figure (from McGuire Scrapbook) by William Sidney Mount, The Metropolitan Museum of Art

Landscape with Figure (from McGuire Scrapbook)

William Sidney Mount (d. 1868)

1868 · Graphite on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A landscape with a bridge over a river, figures in boats below

Anonymous, Italian, 16th century (d. 1600)

ca. 1520–1550 · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Boats (from McGuire Scrapbook)

R. H. (d. 9999)

1840 · Graphite on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Boats (from Sketchbook)

Thomas Moran (d. 1926)

1905 · Graphite on paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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