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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 311 matching records exist across the two collections.

Results for "Landscape with Schoolhouse; Study of a T"12 records

Institutions answered newest-first by record, interleaved

Landscape with a Goat by Titian (Tiziano Vecellio), The Metropolitan Museum of Art

Landscape with a Goat

Titian (Tiziano Vecellio) (d. 1576)

1500–11 · Pen and brown ink; framing lines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Study of a Palm Tree (recto); Mountain Landscape (verso) by Nicolas Poussin, The Metropolitan Museum of Art

Study of a Palm Tree (recto); Mountain Landscape (verso)

Nicolas Poussin (d. 1665)

ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Southern Landscape with Shepherds and Sheep; verso: Study of a Sheep's Head (?) by Simon van der Does, The Metropolitan Museum of Art

Southern Landscape with Shepherds and Sheep; verso: Study of a Sheep's Head (?)

Simon van der Does (d. 1717)

1676 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

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The MetSimilar
Landscape with Figures Crossing a Bridge (recto); Study of a Nude Male, Study of Legs, Study of Head in Profile to the Right (verso) by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Landscape with Figures Crossing a Bridge (recto); Study of a Nude Male, Study of Legs, Study of Head in Profile to the Right (verso)

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash (recto); red chalk with some highlights in white chalk, some scribbles in black chalk at top edge (drawings on verso oriented vertically on sheet) (verso Cream colored paper. Fragments of framing outlines in brown ink visible along left, right, and bottom edges. Trace of black chalk framing line along upper left edge

Cleared · Public Domain

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The MetSimilar
Study of a tree by George Richmond, The Metropolitan Museum of Art

Study of a tree

George Richmond (d. 1896)

possibly 1848 · Watercolor

Cleared · Public Domain

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The MetSimilar
Landscape Study (from Sketchbook) by John Quincy Adams Ward, The Metropolitan Museum of Art

Landscape Study (from Sketchbook)

John Quincy Adams Ward (d. 1910)

ca. 1860 · Graphite on paper

Cleared · Public Domain

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The MetSimilar
Landscape with a Distant Town (recto); Study of Trees around a Pond (verso) by Henri-Joseph Harpignies, The Metropolitan Museum of Art

Landscape with a Distant Town (recto); Study of Trees around a Pond (verso)

Henri-Joseph Harpignies (d. 1916)

ca. 1865 · watercolor over graphite on off-white heavy Bristol-board (recto); charcoal or black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Irish cars (Study of two carts in a landscape) by Cornelius Varley, The Metropolitan Museum of Art

Irish cars (Study of two carts in a landscape)

Cornelius Varley (d. 1873)

1800–73 · Pen and black ink, brush and gray wash, over graphite

Cleared · Public Domain

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The MetSimilar
Landscape with Schoolhouse; Study of a Tree (from Sketchbook) by Asher Brown Durand, The Metropolitan Museum of Art

Landscape with Schoolhouse; Study of a Tree (from Sketchbook)

Asher Brown Durand (d. 1886)

1886 · Graphite on off-white wove paper

Cleared · Public Domain

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The MetSimilar
Landscape with Schoolhouse; Study of a Tree (from Sketchbook) by Asher Brown Durand, The Metropolitan Museum of Art

Landscape with Schoolhouse; Study of a Tree (from Sketchbook)

Asher Brown Durand (d. 1886)

1886 · Graphite on off-white wove paper

Cleared · Public Domain

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The MetSimilar
[The Averted Head - A Study in Flesh Tones] by Joseph T. Keiley, The Metropolitan Museum of Art

[The Averted Head - A Study in Flesh Tones]

Joseph T. Keiley (d. 1914)

1899 · Platinum print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with Erminia

Agostino Tassi (d. 1644)

ca. 1630 · Oil on wood

In copyright

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The MetSimilar

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