Reconstructed lotiform chalice
Unrecorded maker
ca. 1080–664 BCE · Faience
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
998 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 36 matching records exist across the two collections.
Results for "Landscape with Three Gabled Cottages bes"12 records
Institutions answered newest-first by record, interleaved
Zü Cölln (Cologne), from "European Views"
Wenceslaus Hollar (d. 1677)
1643 · Etching; first state of two
Cleared · Public Domain
liveThe MetSimilar
Square Tower Used as Inn near a River
Jan van de Velde II (d. 1641)
ca. 1641 · Engraving and etching
Cleared · Public Domain
liveThe MetSimilar
Landscape with an Angler
Wenceslaus Hollar (d. 1677)
1650 · Etching; third state of three (NH)
Cleared · Public Domain
liveThe MetSimilar
Landscape with Three Gabled Cottages Beside a Road
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; third of three states
Cleared · Public Domain
liveThe MetSimilar
Landscape with Three Gabled Cottages Beside a Road
Rembrandt (Rembrandt van Rijn) (d. 1669)
1650 · Etching and drypoint; third of three states
Cleared · Public Domain
liveThe MetSimilar
Entry of the Count of Thurn and Taxis into Hemissen
Wenceslaus Hollar (d. 1677)
ca. 1651 · Etching; only state
Cleared · Public Domain
liveThe MetSimilar
Dish with a scene of tea cultivation (one of a pair)
Unrecorded maker
ca. 1740–45 · Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware)
Cleared · Public Domain
liveThe MetSimilar
Landscape, after a sketch by Eglon van der Neer
Charles Jacque (d. 1894)
1862 · Etching
Cleared · Public Domain
liveThe MetSimilar
![[Yosemite National Park, California] by Carleton E. Watkins, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP136847.jpg)
[Yosemite National Park, California]
Carleton E. Watkins (d. 1916)
ca. 1878 · Albumen silver print from glass negative
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cottage on a hill
Wenceslaus Hollar (d. 1677)
1651 · Etching and drypoint; second state of three
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dream Object (I Was Working on an Undersea Landscape)
Jim Shaw (d. 9999)
1997 · Gelatin silver prints, foam core board, blue tinted acrylic sheet with acrylic paint
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.