
Landscape with Cows in a Brook
Felix Meyer (d. 1713)
1698 · Gouache with gum arabic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
241 ms. The Metropolitan Museum of Art, Collection API (Open Access)
354 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16,146 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Landscape with Cows in a Brook
Felix Meyer (d. 1713)
1698 · Gouache with gum arabic
Cleared · Public Domain
live
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough (d. 1788)
August 1, 1797 · Aquatint (sugar-lift process), printed in brown ink
Cleared · Public Domain
live
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough (d. 1788)
August 1, 1797 · Aquatint with soft-ground etching, printed in gray ink; third state of three
Cleared · Public Domain
live
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook)
Thomas F. Hoppin (d. 1872)
1841 · Graphite on off-white Bristol board
Cleared · Public Domain
live
Landscape with Cows Watering in a Stream
Robert S. Duncanson (d. 1872)
1871 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Two Cows
George Walker (d. 1850)
1807 · Pen lithograph on pale yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Trees and Two Cows
C. Stark (d. 1900)
1810–19 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape With Cows (from Sketchbook)
Thomas Moran (d. 1926)
1905 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape With Cows (from Sketchbook)
Thomas Moran (d. 1926)
1905 · Graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Cows
Arthur B. Davies (d. 1928)
1928 · Watercolor, pastel, graphite, and gouache on blue laid paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Cows
Aaron Draper Shattuck (d. 1928)
1928 · Oil on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Cows
Lillian Adelman (d. 1985)
1935–43 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.