Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
119 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 461 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Lot and His Daughters (recto); Rocky Landscape with a Castle and Bridge (verso)
Hermann Weyer (d. 1621)
ca. 1616 · Pen and black ink, gray wash, white heightening on yellow prepared paper (recto); pen and black ink (verso)
Cleared · Public Domain
live
Landscape with a Bridge
Flanders (d. 1669)
mid-17th century · Pen and brown ink, brush and bluish gray wash over traces of graphite
Cleared · Public Domain
live
Landscape with a Traveler Crossing a Bridge (recto); Sketches of a Gate, a Bridge, and a Town Hall (verso)
Anthonie Waterloo (d. 1690)
1629–90 · Black chalk, watercolor and gouache; framing lines in black ink (recto); black chalk (verso)
Cleared · Public Domain
live
Landscape With Figures Crossing a Bridge
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink over black chalk on cream paper. Ruled framing outline in black chalk? along left, right and bottom edge
Cleared · Public Domain
live
Landscape with a Bridge Near Mosbjerg
Martinus Rørbye (d. 1848)
1833 · Watercolor, over graphite
Cleared · Public Domain
live
Landscape with a Bridge (recto); Thatched Cottage (verso)
Anonymous, British, 19th century (d. 1900)
19th century · Pen and ink (recto); graphite (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Man Crossing a Bridge
Aegidius Sadeler II (d. 1629)
1586–1629 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Man Crossing a Bridge
Aegidius Sadeler II (d. 1629)
1586–1629 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a City and a Bridge
Johann Christian Reinhart (d. 1847)
1799 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with Wooden Bridge and a Horseman
John Crome (d. 1821)
1812–13 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Bridge
Anonymous, German, 19th century (d. 1899)
19th century · Brush and brown ink, heightened with gouache, traces of graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.