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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    407 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Landscape with a Large Building"12 records

Institutions answered newest-first by record, interleaved

River Landscape with Large Tree at Left by Augustin Hirschvogel, The Cleveland Museum of Art

River Landscape with Large Tree at Left

Augustin Hirschvogel (d. 1553)

1546 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
Capriccio: A Palace with a Courtyard by the Lagoon by Antonio Canaletto, The Cleveland Museum of Art

Capriccio: A Palace with a Courtyard by the Lagoon

Antonio Canaletto (d. 1768)

c. 1750–55 · Drawing, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
Tea Set with Chinese Landscapes by Seifū Yohei III, The Cleveland Museum of Art

Tea Set with Chinese Landscapes

Seifū Yohei III (d. 1914)

1893–1914 · Ceramic, Tea set with tea pot, hot water cooler, and five cups; porcelain with underglaze blue

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape with a Cottage and a Large Tree by Rembrandt van Rijn, The Cleveland Museum of Art

Landscape with a Cottage and a Large Tree

Rembrandt van Rijn (d. 1669)

1641 · Print, etching and sulphur tint

Cleared · CC0

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Cleveland Museum of ArtSimilar
Pheasants in Cherry by Seifū Yohei III, The Cleveland Museum of Art

Pheasants in Cherry

Seifū Yohei III (d. 1914)

1900–1914 · Ceramic, Porcelain with molded and carved design, underglaze color, and cream glaze

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Blindness of Tobit: The Large Plate by Rembrandt van Rijn, The Cleveland Museum of Art

The Blindness of Tobit: The Large Plate

Rembrandt van Rijn (d. 1669)

1651 · Print, etching and drypoint

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Ruin of Huis 't Sant at Katwijk aan Zee by Roelant Roghman, The Cleveland Museum of Art

The Ruin of Huis 't Sant at Katwijk aan Zee

Roelant Roghman (d. 1692)

1647 · Drawing, Black chalk and gray wash, with some oiled charcoal, on cream laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Zuylen Castle, near Utrecht (recto)/Ruin of the huis Ter Kleef, near Haarlem (verso) by Roelant Roghman, The Cleveland Museum of Art

Zuylen Castle, near Utrecht (recto)/Ruin of the huis Ter Kleef, near Haarlem (verso)

Roelant Roghman (d. 1692)

1646 · Drawing, Black chalk and wetted charcoal on cream laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Zuylen Castle Near Utrecht by Roelant Roghman, The Cleveland Museum of Art

Zuylen Castle Near Utrecht

Roelant Roghman (d. 1692)

c. 1646–47 · Drawing, black chalk on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Manor House, Cresswells by Hendrick Danckerts, The Cleveland Museum of Art

The Manor House, Cresswells

Hendrick Danckerts (d. 1680)

c. 1665 · Drawing, Pen, ink, wash with watercolor on two conjoined pieces of paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Ruin of the huis Ter Kleef near Haarlem by Roelant Roghman, The Cleveland Museum of Art

Ruin of the huis Ter Kleef near Haarlem

Roelant Roghman (d. 1692)

c. 1646–47 · Drawing, black chalk on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Amiens by Édouard Baldus, The Cleveland Museum of Art

Amiens

Édouard Baldus (d. 1889)

1855 · Photograph, albumen print from wet collodion negative

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.