![New Inventions of Modern Times [Nova Reperta], The Invention of the Wind Mill, plate 11 by Jan Collaert I, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP841112.jpg)
New Inventions of Modern Times [Nova Reperta], The Invention of the Wind Mill, plate 11
Jan Collaert I (d. 1581)
ca. 1600 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
292 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
376 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 19 matching records exist across the two collections.
Results for "Landscape with a Mill, after Adam Willae"12 records
Institutions answered newest-first by record, interleaved
Landscape with water-mill and figures fishing in boat on the left river on the right, from "Italian landscapes" (Diverse vedute designate in Fiorenza / Paysages italiens)
Jacques Callot (d. 1635)
ca. 1618–35 · Etching
Cleared · Public Domain
liveThe MetSimilar
The Omval
Rembrandt (Rembrandt van Rijn) (d. 1669)
1645 · Etching and drypoint; second state of two
Cleared · Public Domain
liveThe MetSimilar
Latona and the Lycian peasants
Wenceslaus Hollar (d. 1677)
1649 · Etching, only state
Cleared · Public Domain
liveThe MetSimilar
The Stone Bridge
Wenceslaus Hollar (d. 1677)
1649 · Etching; second state of two
Cleared · Public Domain
liveThe MetSimilar
Pair-case watch with alarm
Adam Roumeau (d. 1698)
probably ca. 1695 · Case and dial: silver with blued-steel hand; movement: brass and steel
Cleared · Public Domain
liveThe MetSimilar
Woman sheltering a child in a landscape
William Hamilton (d. 1801)
1770–80 · Pen and brown ink, brush and gray wash, over graphite
Cleared · Public Domain
liveThe MetSimilar
Adam and Eve in Paradise
Unknown
18th Century · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Mill River Scenery
Frances Flora Bond Palmer (d. 1876)
1857–68 · Hand-colored lithograph
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Landscape with a Mill, after Adam Willaerts
Magdalena de Passe (d. 1640)
1596–1638 · Engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cattle drinking
Wenceslaus Hollar (d. 1677)
1650 · Etching; only state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Oil Mill
Pablo Picasso (d. 1973)
Horta de Ebro (present-day Horta de Sant Joan), summer 1909 · Oil on canvas
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.