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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    235 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    376 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8,370 matching records exist across the two collections.

Results for "Landscape with a Stone Bridge"12 records

Institutions answered newest-first by record, interleaved

The Stone Bridge by Wenceslaus Hollar, The Metropolitan Museum of Art

The Stone Bridge

Wenceslaus Hollar (d. 1677)

1649 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Landscape by an unrecorded maker, The Cleveland Museum of Art

Landscape

Unrecorded maker

1644–1911 · Stone, soapstone

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape with Figures and a Two-Arched Bridge by Guercino (Giovanni Francesco Barbieri), The Metropolitan Museum of Art

Landscape with Figures and a Two-Arched Bridge

Guercino (Giovanni Francesco Barbieri) (d. 1666)

1591–1666 · Pen and dark brown ink, some brush and dark brown ink

Cleared · Public Domain

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The MetSimilar
Winter Landscape with Skater by Jan van Kessel, The Cleveland Museum of Art

Winter Landscape with Skater

Jan van Kessel (d. 1680)

1662 · Drawing, brush and black ink and grey wash over black chalk on cream laid paper; brown ink framing line

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape with a Bridge by Flanders, The Metropolitan Museum of Art

Landscape with a Bridge

Flanders (d. 1669)

mid-17th century · Pen and brown ink, brush and bluish gray wash over traces of graphite

Cleared · Public Domain

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The MetSimilar
Teacup from Tea Set with Chinese Landscape by Seifū Yohei III, The Cleveland Museum of Art

Teacup from Tea Set with Chinese Landscape

Seifū Yohei III (d. 1914)

c. 1893–1914 · Ceramic, Porcelain with underglaze blue

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape With Figures Crossing a Bridge by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Landscape With Figures Crossing a Bridge

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink over black chalk on cream paper. Ruled framing outline in black chalk? along left, right and bottom edge

Cleared · Public Domain

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The MetSimilar
Tea Set with Chinese Landscapes by Seifū Yohei III, The Cleveland Museum of Art

Tea Set with Chinese Landscapes

Seifū Yohei III (d. 1914)

1893–1914 · Ceramic, Tea set with tea pot, hot water cooler, and five cups; porcelain with underglaze blue

Cleared · CC0

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Cleveland Museum of ArtSimilar
Landscape with a Bridge Near Mosbjerg by Martinus Rørbye, The Metropolitan Museum of Art

Landscape with a Bridge Near Mosbjerg

Martinus Rørbye (d. 1848)

1833 · Watercolor, over graphite

Cleared · Public Domain

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The MetSimilar
Dream Journey to Mt. Tiantai by Qian Du, The Cleveland Museum of Art

Dream Journey to Mt. Tiantai

Qian Du (d. 1844)

1814 · Painting, handscroll; ink on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with a Stone Bridge, from "Eight Bohemian Riverscapes and Landscapes"

Aegidius Sadeler II (d. 1629)

1586–1629 · Engraving

In copyright

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The MetSimilar
On the Harlem River by William Rickarby Miller, The Cleveland Museum of Art

On the Harlem River

William Rickarby Miller (d. 1893)

1855 · Drawing, watercolor with gouache, over graphite, framing lines in graphite

Cleared · CC0

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Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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