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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    308 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    325 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5,270 matching records exist across the two collections.

Results for "Landscapes: Landscape with Ruins of a Ro"12 records

Institutions answered newest-first by record, interleaved

Landscape with ruins, courtiers, and a gondola by Léon Davent, The Metropolitan Museum of Art

Landscape with ruins, courtiers, and a gondola

Léon Davent (d. 1556)

1526–50 · Etching

Cleared · Public Domain

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The MetSimilar
Riverscape with Ruins of a Castle, from "Landscapes and Ruins" by Jan van de Velde II, The Metropolitan Museum of Art

Riverscape with Ruins of a Castle, from "Landscapes and Ruins"

Jan van de Velde II (d. 1641)

ca. 1615 · Etching

Cleared · Public Domain

live
The MetSimilar
Landscape with Roman Ruins by Cornelis van Poelenburch, The Metropolitan Museum of Art

Landscape with Roman Ruins

Cornelis van Poelenburch (d. 1667)

1609–67 · Pen and brown ink, brush and brown, green and gray wash over faint traces of black chalk. Pasted down.

Cleared · Public Domain

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The MetSimilar
Pastoral Landscape with Roman Ruins by Johann Heinrich Roos, The Metropolitan Museum of Art

Pastoral Landscape with Roman Ruins

Johann Heinrich Roos (d. 1685)

1645–86 · Pen and ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Landscape with Ruins by Ercole Procaccini The Younger, The Metropolitan Museum of Art

Landscape with Ruins

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash, on light tan paper

Cleared · Public Domain

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The MetSimilar
Dish with landscape and architectural ruins by Siro Antonio Africa, The Metropolitan Museum of Art

Dish with landscape and architectural ruins

Siro Antonio Africa (d. 1735)

ca. 1688–1710 · Tin-glazed earthenware (maiolica)

Cleared · Public Domain

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The MetSimilar
Landscape with Ruins of a Castle on a Hill by Jan Smees, The Metropolitan Museum of Art

Landscape with Ruins of a Castle on a Hill

Jan Smees (d. 1729)

early 18th century · Etching

Cleared · Public Domain

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The MetSimilar
Imaginary Landscape with Classical Ruins by Carlo Fantaccini, The Metropolitan Museum of Art

Imaginary Landscape with Classical Ruins

Carlo Fantaccini (d. 1750)

1700–50 · Point of a brush and gray wash, over graphite; framing lines in pen and brown ink and bronze paint

Cleared · Public Domain

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The MetSimilar
Landscape with Ruins by Anonymous, Italian, Venetian, 18th century, The Metropolitan Museum of Art

Landscape with Ruins

Anonymous, Italian, Venetian, 18th century (d. 1800)

18th century · Pen and brown ink on cream laid paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

River Landscape with Ruins of a Castle

Jan van de Velde II (d. 1641)

1615 · Etching

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

River Landscape with Castle Ruins

Carl Rottmann (d. 1850)

1820s · Oil on paper, laid down on canvas

In copyright

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape and Ruins

Frances Flora Bond Palmer (d. 1876)

1857–71 · Hand-colored lithograph

In copyright

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The MetSimilar

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2. Read the arithmetic

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