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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    159 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 15 matching records exist across the two collections.

Results for "Large Dish (Ōzara) with Lion and Peony"10 records

Institutions answered newest-first by record, interleaved

Dish with Abraham and Melchizedek by Hans of Landshut, The Metropolitan Museum of Art

Dish with Abraham and Melchizedek

Hans of Landshut (d. 1550)

1498 · Free-blown glass with paint and metallic foils

Cleared · Public Domain

live
The MetSimilar
Large Dish (Ōzara) with Birds on a Tree by an unrecorded maker, The Metropolitan Museum of Art

Large Dish (Ōzara) with Birds on a Tree

Unrecorded maker

ca. 1624–43 · Porcelain with cobalt blue under transparent glaze (Hizen ware, Arita type)

Cleared · Public Domain

live
The MetSimilar
Large Dish (Ōzara) with Peony, Butterfly, and Insects by an unrecorded maker, The Metropolitan Museum of Art

Large Dish (Ōzara) with Peony, Butterfly, and Insects

Unrecorded maker

ca. 1624 –43 · Porcelaneous stoneware with cobalt blue under transparent glaze (Hizen ware, Arita type)

Cleared · Public Domain

live
The MetSimilar
Large Dish (Ōzara) with Lion and Peony by an unrecorded maker, The Metropolitan Museum of Art

Large Dish (Ōzara) with Lion and Peony

Unrecorded maker

ca. 1640s · Porcelaneous stoneware with cobalt blue under transparent glaze (Hizen ware, Arita type)

Cleared · Public Domain

live
The MetSimilar
Large Dish (Ōzara) with Plants by an unrecorded maker, The Metropolitan Museum of Art

Large Dish (Ōzara) with Plants

Unrecorded maker

ca. 1640s · Porcelaneous stoneware with celadon glaze (Arita ware, Ko Imari type)

Cleared · Public Domain

live
The MetSimilar
Display dish with Charles II (1630–1685) in a tree by Thomas Toft, The Metropolitan Museum of Art

Display dish with Charles II (1630–1685) in a tree

Thomas Toft (d. 1689)

ca. 1680 · Slip-decorated earthenware

Cleared · Public Domain

live
The MetSimilar
Large Dish with Peony Bouquet and Cherry Blossom Rafts by an unrecorded maker, The Metropolitan Museum of Art

Large Dish with Peony Bouquet and Cherry Blossom Rafts

Unrecorded maker

late 17th–early 18th century · Porcelain with underglaze blue and overglaze polychrome enamels, gold (Arita ware, Imari type)

Cleared · Public Domain

live
The MetSimilar
Mother and her Children in Front of a Freestanding Screen of a Chinese Lion by Kitagawa Utamaro 喜多川歌麿, The Metropolitan Museum of Art

Mother and her Children in Front of a Freestanding Screen of a Chinese Lion

Kitagawa Utamaro 喜多川歌麿 (d. 1806)

1786 · Woodblock print (surimono); ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Incense box with Chinese children playing with snowballs by an unrecorded maker, The Metropolitan Museum of Art

Incense box with Chinese children playing with snowballs

Unrecorded maker

18th century · Gold, silver togidashi maki-e, hiramaki-e, takamaki-e, cut-out gold foil application, red lacquer, gold foil application on gold ground

Cleared · Public Domain

live
The MetSimilar
Sword Guard (<i>Tsuba</i>) With <i>Shishi</i> Lion and Peonies Motif (獅子牡丹図鐔) by an unrecorded maker, The Metropolitan Museum of Art

Sword Guard (<i>Tsuba</i>) With <i>Shishi</i> Lion and Peonies Motif (獅子牡丹図鐔)

Unrecorded maker

18th–19th century · Brass (sentoku)

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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