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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    198 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Large bulla"12 records

Institutions answered newest-first by record, interleaved

Furniture support: female sphinx with Hathor-style curls by an unrecorded maker, The Metropolitan Museum of Art

Furniture support: female sphinx with Hathor-style curls

Unrecorded maker

ca. 18th century BCE · Ivory (Hippopotamus), gold foil

Cleared · Public Domain

live
The MetSimilar
Large bulla by an unrecorded maker, The Metropolitan Museum of Art

Large bulla

Unrecorded maker

ca. late 8th century BCE · Clay

Cleared · Public Domain

live
The MetSimilar
Terracotta askos (flask) in the form of a rooster by an unrecorded maker, The Metropolitan Museum of Art

Terracotta askos (flask) in the form of a rooster

Unrecorded maker

4th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Bulla by an unrecorded maker, The Metropolitan Museum of Art

Bulla

Unrecorded maker

5th–early 2nd century BCE · Unbaked clay

Cleared · Public Domain

live
The MetSimilar
Sealing on jar stopper (?) by an unrecorded maker, The Metropolitan Museum of Art

Sealing on jar stopper (?)

Unrecorded maker

ca. 1st century BCE–3rd century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Bowl by an unrecorded maker, The Metropolitan Museum of Art

Bowl

Unrecorded maker

3rd century BC–1st century AD · Ceramic

Cleared · Public Domain

live
The MetSimilar
Bulla by an unrecorded maker, The Metropolitan Museum of Art

Bulla

Unrecorded maker

2nd century BC–1st century AD · Un-baked clay

Cleared · Public Domain

live
The MetSimilar
Bulla by an unrecorded maker, The Metropolitan Museum of Art

Bulla

Unrecorded maker

2nd century BC–1st century AD · Un-baked clay

Cleared · Public Domain

live
The MetSimilar
Bulla by an unrecorded maker, The Metropolitan Museum of Art

Bulla

Unrecorded maker

2nd century BC–1st century AD · Un-baked clay

Cleared · Public Domain

live
The MetSimilar
Bulla by an unrecorded maker, The Metropolitan Museum of Art

Bulla

Unrecorded maker

2nd century BC–1st century AD · Un-baked clay

Cleared · Public Domain

live
The MetSimilar
Goblet by an unrecorded maker, The Metropolitan Museum of Art

Goblet

Unrecorded maker

3rd century BC–1st century AD · Ceramic

Cleared · Public Domain

live
The MetSimilar
Shallow bowl by an unrecorded maker, The Metropolitan Museum of Art

Shallow bowl

Unrecorded maker

ca. 1st century BCE–1st century CE · Ceramic

Cleared · Public Domain

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The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.