
Glass pendant shaped like a jar
Unrecorded maker
3rd–4th century CE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
412 ms. The Metropolitan Museum of Art, Collection API (Open Access)
290 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,555 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass pendant shaped like a jar
Unrecorded maker
3rd–4th century CE · Glass
Cleared · Public Domain
live
Latticed Diamond-shaped Pendant
Unrecorded maker
Last quarter of the 10th–last quarter of the 15th century · Gold
Cleared · Public Domain
live
Monkey Pendant
Unrecorded maker
800–1500 CE · Gold
Cleared · Public Domain
live
Design for the Verso of a Pendant with Three Large Flowers
Jan Collaert I (d. 1581)
before 1573 · Engraving; second state of three (New Hollstein)
Cleared · Public Domain
live
Figure pendant
Tairona artist(s)
900–1600 CE · Gold
Cleared · Public Domain
live
Pendant with Charity and Her Children
Unrecorded maker
late 16th–early 17th century · Gold, partly enameled and set with diamonds, rubies, and an emerald and with pendant pearls
Cleared · Public Domain
liveDiamond-Shaped Pendant
Unrecorded maker
19th–20th century · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a pendant with diamonds, rubies, and black enamel
F. Mellerio Borgnis
ca. 1830–70 · Gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Pendant with Diamonds, Pearls, and Scrolling Motifs
Félix Leblanc (d. 1923)
ca. 1880 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pendant in the form of a gondola
Unrecorded maker
probably second half 19th century · Enameled gold set with diamonds, emeralds, rubies and pearls and with pendant pearls
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Diamond, Pearl, and Emerald Pendant
Unrecorded maker
ca. 1870–1930 · Watercolor, gouache, and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold, Diamond, Ruby, and Pearl Pendant in a Scrapbook with Jewelry Designs in Watercolor and Gouache
Unrecorded maker
ca. 1870–1930 · Ink, watercolor, and gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.