Dish
Joseph Le Barbier (d. 1790)
1723–24 · Silver
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
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Where this page got its records
- The Metlive
211 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 258 matching records exist across the two collections.
Results for "Le Barbier Parisienne"12 records
Institutions answered newest-first by record, interleaved
Gioachino Antonio Rossini
Nadar (d. 1910)
1856 · Photograph, salt print mounted on card
Cleared · CC0
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Design for a Torchère
Jean Jacques François Le Barbier (d. 1826)
ca. 1770–90 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink with brush and green wash
Cleared · Public Domain
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Africa from a set of The Four Continents
Jean Jacques François Le Barbier (d. 1826)
designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)
Cleared · Public Domain
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America from a set of The Four Continents
Jean Jacques François Le Barbier (d. 1826)
designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)
Cleared · Public Domain
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Asia from a set of The Four Continents
Jean Jacques François Le Barbier (d. 1826)
designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)
Cleared · Public Domain
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Europe from a set of The Four Continents
Jean Jacques François Le Barbier (d. 1826)
designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)
Cleared · Public Domain
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Sully at the Feet of Henri IV from a set of The History of France
Jean Jacques François Le Barbier (d. 1826)
1788–92 · Wool, silk (22-23 warps per inch, 9-10 per cm.)
Cleared · Public Domain
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Five-fold screen
Jean Jacques François Le Barbier (d. 1826)
panels ca. 1790, frame 19th century · Panels: oil and canvas; frame: gilt wood; lining: silk taffeta
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The End of the Python, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Jean Jacques François Le Barbier (d. 1826)
1805 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The End of the Python, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Jean Jacques François Le Barbier (d. 1826)
1805 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Barbier Parisienne
V. Ratier (d. 1900)
1825–30 · Lithograph
In copyright
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