Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
356 ms. The Metropolitan Museum of Art, Collection API (Open Access)
381 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Le Rossignol Posé sur un Buisson (A Nightengale Standing on a Bush), plate 14 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
live
Le rocher couvert de buissons
Herman Naiwincx (d. 1651)
1640–51 · Print, engraving
Cleared · CC0
live
Le tableau de la volupté, ou, Les quatre parties du jour : poeme en vers libres / par M.D.B
Pierre-Ulric Dubuisson (d. 1794)
1771
Cleared · Public Domain
live
Le Buisson
Charles-François Daubigny (d. 1878)
1855 · Etching; fifth state
Cleared · Public Domain
live
Portal of Saint-Ursin, Bourges
Bisson Frères (d. 1863)
ca. 1855 · Albumen silver print from glass negative
Cleared · Public Domain
live
Le Buisson Kercassier
Charles Jacque (d. 1894)
ca. 1875–80 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Rossignol Posé sur un Buisson (A Nightingale Standing on a Bush), plate 14 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1646 · Etching and letterpress; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moses before the Burning Bush
Sébastien Bourdon (d. 1671)
1635–72 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cabinet des Modes, Ou Les Modes Nouvelles
Buisson
1785–88 · plates: hand colored aquatint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lai du Buisson d'Épine, from Fabliaux ou Contes. Fables et Romans di XII et du XIII siècle, traduits ou estraits, Par Legrand d'Aussy, Troisième édition, considerablement augmentée. Paris. Jules Renouard, Libraire, Rue de Tournon, No. 6
Barthélemy Joseph Fulcran Roger (d. 1841)
published in 1829 · Etching and engraving; second state of three (Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.