Andiron with figure of Orpheus (one of a pair)
Unrecorded maker
16th century · Bronze
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
335 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
497 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 15 matching records exist across the two collections.
Results for "Le Cabinet des Beaux Arts ou Recueil l d"12 records
Institutions answered newest-first by record, interleaved
Entrance to the Grotto of Posillipo
Hubert Robert (d. 1808)
n.d. · Brush and brown wash, over a red chalk counterproof with traces of black chalk; framing lines in pen and brown ink
Cleared · Public Domain
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Andiron with figure of Mercury (one of a pair)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
19th century? · Bronze
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Cabinet des Beaux Arts ou Recueil l d'Estampes Gravées d'apres les Tableaux d'un plafond ou les Beaux Arts sont representés
Pieter Schenck I (d. 1718)
1693 · Illustrations: etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Arts de Pallas, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Partie des Aqueducs de l'Impereur Claude qui portoient l'eau sur le Palatin, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens; Frise qui est à la Vigne Medicis (Frieze from the Medicean vineyard [at the Villa Medici, Rome])
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Base qui est au Baptistaire de Constantine (Base of a Column at the Lateran Baptistery, Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Chapiteau Antique (Antique Capital)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 1
Didot, le Jeune
1801
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Annales du Musee et de l'Ecole Moderne des Beaux-Arts, recueil de gravures au trait, d'après les principaux ouvrages de peinture, sculpture ou projets d'architecture, qui, chaque année, ont remporté le prix, soit aux écoles spéciales, soit aux concours nationaux ; les productions des artistes en tous genres, qui, aux différentes expositions, ont été citées avec éloges ; les morceaux les plus estimés de la galerie de peinture ; la suite complète de celle des antiques ; édifices publics, etc., vol. 2
Didot, le Jeune
1802
In copyright
liveThe MetSimilar
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