
Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1625–31 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
396 ms. The Metropolitan Museum of Art, Collection API (Open Access)
342 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 321 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1625–31 · Etching and letterpress; second state of two (Lieure)
Cleared · Public Domain
live
Le Chandelier (The Candlabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1621–35 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Nine-light chandelier
Unrecorded maker
ca. 1785 · Gilt and patinated bronze
Cleared · Public Domain
live
Twelve-light chandelier (Lustre)
Unrecorded maker
1790–1800 · Gilt and patinated bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Chandelier (The Candelabra), plate 3 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)
Jacques Callot (d. 1635)
1646 · Etching and letterpress; second state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece painting of the Annunciation, from Retables d'autels, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Altarpiece with the Adoration of the Magi, from Retables d'autels, plate 3, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Choir door topped with the Resurrected Christ, from Portes de choeur, plate 3
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Epitaph for a prelate, plate 3 from "Sépultures et épitaphes"
Jean Le Pautre (d. 1682)
17th century · Etching; third state of four (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Gallery of a palace with a chandelier and putti among clouds on the ceiling, and with people in contemporary dress, plate 3 from 'Lambris à l'italienne', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; third state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Rinceaux, from Rinceaux de différents feuillages, plate 3, bound in Oeuvres. Vol. IV
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Death of Cleopatra, plate 3 from 'Alcôves à la romaine', bound in "Oeuvres", Vol. I
Jean Le Pautre (d. 1682)
17th century · Etching; second state of two (Préaud)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.