Desk (bonheur du jour)
Martin Carlin (d. 1785)
ca. 1769 · Oak, mahogany, tulipwood, sycamore, ebony, box and harewood, gilt-bronze mounts, soft-paste porcelain
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
191 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
327 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 122 matching records exist across the two collections.
Results for "Le Déclin du Jour (The End of Day), from"12 records
Institutions answered newest-first by record, interleaved
The Concave Petitioner: The Taste of the Day, no. 33 (Le Solliciteur Concave: Le Goût du Jour, No. 33)
Anonymous, French, 19th century (d. 1900)
1817 · Hand-colored etching
Cleared · Public Domain
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The Convex Petitioner: The Taste of the Day, no. 34 (Le Solliciteur Convèxe: Le Goût du Jour, No. 34)
Anonymous, French, 19th century (d. 1900)
1817 · Hand-colored etching
Cleared · Public Domain
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Vocal Concert, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
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Ruines du Palais de Karnac - Vue prise à l'extrêmité du Sanctuaire
Maxime Du Camp (d. 1894)
1849–50 · Salted paper print from paper negative
Cleared · Public Domain
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Day (Le Jour), from the series, Dreams (Songes), plate VI
Odilon Redon (d. 1916)
1891 · Lithograph on chine collé; only state
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Matin (Morning), from Les Quatres Heures du Jour (The Four Times of Day)
Louis Jacques Cathelin (d. 1804)
ca. 1765 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Midi (Noon), from Les Quatres Heures du Jour (The Four Times of Day)
Louis Jacques Cathelin (d. 1804)
ca. 1765 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Soir (Evening), from Les Quatres Heures du Jour (The Four Times of Day)
Louis Jacques Cathelin (d. 1804)
ca. 1765 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Déclin du Jour (The End of Day), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme
Jean Michel Moreau le Jeune (d. 1814)
1772 · Etching and engraving; second state of four (bocher)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Souper Fin (The End of Supper), from "Le Monument du Costume"
Jean Michel Moreau le Jeune (d. 1814)
1781 · Etching and engraving
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dimanche – Le Journal d'un seul jour
Yves Klein (d. 1962)
November 27, 1960 · Halftone and letterpress on newsprint
In copyright
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2. Read the arithmetic
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