
Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with the Large Mantle, Seen from Behind), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
345 ms. The Metropolitan Museum of Art, Collection API (Open Access)
255 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 152 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with the Large Mantle, Seen from Behind), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
Cleared · Public Domain
live
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from "Les Caprices" Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
Cleared · Public Domain
live
Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with a Large Mantle, Viewed from Behind), from "Les Caprices" Series B, The Nancy Set
Jacques Callot (d. 1635)
1617–20 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with the Large Mantle, Viewed from the Front), from "Les Caprices" Series B, The Nancy Set
Jacques Callot (d. 1635)
1617–20 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Grand Rocher (The Large Rock), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)
Jacques Callot (d. 1635)
ca. 1618 · Etching; second state of two (Lieure)
Cleared · Public Domain
live
Le Grand Rocher (The Great Rock)
Jacques Callot (d. 1635)
ca. 1625 · Etching
Cleared · Public Domain
live
Grand Salon from the Hôtel de Tessé, Paris
Nicolas Huyot (d. 1791)
ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster
Cleared · Public Domain
live
Décoration de l'entrée du grand Spéos d'Abousembil (Le Dieu Phré recevant les offrandes de Rhamsès-le-grand)
Maxime Du Camp (d. 1894)
March 1850 · Salted paper print from paper negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Gentilhomme au Grand Manteau, Vu de Face (The Gentleman with a Large Mantle, Viewed from the Front), from Les Caprices Series A, The Florence Set
Jacques Callot (d. 1635)
1617 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le grand Bassin de Schoubra
Wilhelm Hammerschmidt (d. 1869)
1860s–70s · Albumen silver print from glass negative
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Corroded Rock (Le rocher rongé)
Jean Dubuffet (d. 1985)
1959 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.