Commode
André Charles Boulle (d. 1732)
ca. 1710–20 · Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
209 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
296 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Results for "Le Louvre, vu du Pont Neuf"10 records
Institutions answered newest-first by record, interleaved
Le Louvre, vu du Pont Neuf
Auguste Louis Lepère (d. 1918)
1890 · Print, wood engraving
Cleared · CC0
liveCleveland Museum of ArtSimilar
Grand Salon from the Hôtel de Tessé, Paris
Nicolas Huyot (d. 1791)
ca. 1768–72, with later additions · Carved, painted, and gilded oak; bleu turquin marble, gilt bronze; plaster
Cleared · Public Domain
liveThe MetSimilar
The Pont Neuf
Johan Barthold Jongkind (d. 1891)
1849–50 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle)
Charles Meryon (d. 1868)
1855 · Etching with engraving
Cleared · Public Domain
liveThe MetSimilar
Panorama, vue prise du Pont-Neuf
Edouard Baldus (d. 1889)
1850s–60s · Albumen silver print
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Louvre and Bridge of the Thuilleries, taken from the Pont Neuf (Vue du Louvre et du Pont des Thuilleries, prise du Pont Neuf)
Thomas Girtin (d. 1802)
1803 · Soft-ground etching and aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations (Vue du Pont Neuf, d'une partie du Louvre, de Notre Dame, & du College des quatre Nations)
Thomas Girtin (d. 1802)
1803 · Soft-ground etching and aquatint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tarablous. (Tripoli), Vue de Nahar Kadischa, prise du pont neuf Djisr-el-Djded.
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tripoli, Vue du Pont Neuf
Louis de Clercq (d. 1901)
1859 · Albumen silver print from paper negative
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.