Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    868 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    424 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 171 matching records exist across the two collections.

Results for "Le Marché de la Place de L'Annonciade a"12 records

Institutions answered newest-first by record, interleaved

Le Marché de la Place de L'Annonciade a Florence (The Marketplace of L' Annunziata in Florence), from "Les Caprices" Series A, The Florence Set by Jacques Callot, The Metropolitan Museum of Art

Le Marché de la Place de L'Annonciade a Florence (The Marketplace of L' Annunziata in Florence), from "Les Caprices" Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

Cleared · Public Domain

live
The MetSimilar
Le Marché de la Place de L'Annonciade a Florence (The Market in the Piazza della Annunziata in Florence), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

Le Marché de la Place de L'Annonciade a Florence (The Market in the Piazza della Annunziata in Florence), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Two Muses by Charles Le Brun, The Metropolitan Museum of Art

Two Muses

Charles Le Brun (d. 1690)

17th century · Red chalk, heightened with white, on beige paper

Cleared · Public Domain

live
The MetSimilar
The Marketplace in the Village of Marigny (Partie de la place du marché de Marigny) by Charles Nicolas Cochin II, The Metropolitan Museum of Art

The Marketplace in the Village of Marigny (Partie de la place du marché de Marigny)

Charles Nicolas Cochin II (d. 1790)

1761 · Red chalk

Cleared · Public Domain

live
The MetSimilar
Catalogue raisonné des tableaux, estampes, coquilles, & autres curiosités : après le décès de feu Monsieur Dezalier d'Argenville, maître des comptes, & membre des Sociétés royale de Londres & de Monpellier by Augustin de Saint-Aubin, The Metropolitan Museum of Art

Catalogue raisonné des tableaux, estampes, coquilles, & autres curiosités : après le décès de feu Monsieur Dezalier d'Argenville, maître des comptes, & membre des Sociétés royale de Londres & de Monpellier

Augustin de Saint-Aubin (d. 1807)

1766

Cleared · Public Domain

live
The MetSimilar
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde. by Francesco Piranesi, The Metropolitan Museum of Art

Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont et Place de la Concorde.

Francesco Piranesi (d. 1810)

1801–2 · Line engraving with watercolor and gouache

Cleared · Public Domain

live
The MetSimilar
Moulin Rouge: La Goulue by Henri de Toulouse-Lautrec, The Metropolitan Museum of Art

Moulin Rouge: La Goulue

Henri de Toulouse-Lautrec (d. 1901)

1891 · Lithograph printed in four colors; three sheets of wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Marché de la Place de L'Annonciade a Florence (The Marketplace of L' Annunziata in Florence), from Les Caprices Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Obélisque de la place Dauphine ornamented with a tapestry depicting the King and Queen on the Chariot of Hymen, from Jean Tronçon, L'Entrée triomphante de leurs Majestez Louis XIV...et Marie Therese d'Austriche...dans la ville de Paris..., plate 6

Jean Le Pautre (d. 1682)

17th century · Etching;; second state of four (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Title Place depicting a fireplace ornamented with a lyre and quivers, plate 1 from 'Livre de Cheminées Executées dans les Apartemens de Versailles', bound in "Oeuvres", Vol. I

Pierre Le Pautre (d. 1744)

1670–99 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Théâtre de la Gaité, Boulevard du Temple, Paris]

Unknown

ca. 1855 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Place de l'Hôtel de Ville avec les arbres, Paris

Gustave Le Gray (d. 1884)

1859 · Albumen silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.