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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    344 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    393 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Le Moulin a Eau (The Water Mill), from ""8 records

Institutions answered newest-first by record, interleaved

Le Moulin a Eau (The Water Mill), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) by Jacques Callot, The Metropolitan Museum of Art

Le Moulin a Eau (The Water Mill), from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)

Jacques Callot (d. 1635)

ca. 1618 · Etching; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes) by Jacques Callot, The Metropolitan Museum of Art

Le Moulin a Eau (The Water Mill), from Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes)

Jacques Callot (d. 1635)

ca. 1618 · Etching; second state of three (Lieure)

Cleared · Public Domain

live
The MetSimilar
Le Moulin a Eau (The Water Mill), from "Les Quatre Paysages" (The Four Landscapes) by Jacques Callot, The Metropolitan Museum of Art

Le Moulin a Eau (The Water Mill), from "Les Quatre Paysages" (The Four Landscapes)

Jacques Callot (d. 1635)

17th century · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Le Moulin a Eau (The Water Mill), plate 3 from "Les Quatre Paysages" (The Four Landscapes) by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Le Moulin a Eau (The Water Mill), plate 3 from "Les Quatre Paysages" (The Four Landscapes)

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
Scène près d'un étang au moulin du Petit-Mourmelon by Gustave Le Gray, The Metropolitan Museum of Art

Scène près d'un étang au moulin du Petit-Mourmelon

Gustave Le Gray (d. 1884)

1857 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cross Section and Floor Plan of the Left Side of a Mill to be worked by One or Two Men

Johannes Hoffmeister

ca. 1730–40 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Water Mill above the Bridge, at Charenton (Le Moulin à Eau au dessous du pont, de Charenton)

Thomas Girtin (d. 1802)

1803 · Soft-ground etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Samuel John Carter (d. 1892)

1871–75 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

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