
Le Pont au Change
Charles Meryon (d. 1868)
1854 · Etching with additions in graphite; seventh state
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
142 ms. The Metropolitan Museum of Art, Collection API (Open Access)
293 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Pont au Change
Charles Meryon (d. 1868)
1854 · Etching with additions in graphite; seventh state
Cleared · Public Domain
live
Le Pont-au-change, Paris, vers 1784
Edmond Gosselin
c. 1881 · Print, etching
Cleared · CC0
live
Le Pont-au-Change vers 1784
Charles Meryon (d. 1868)
1855 · Etching; first state of six
Cleared · Public Domain
live
Le Pont-au-Change, vers 1784 (Pont-au-Change, Paris, circa 1784)
Charles Meryon (d. 1868)
1855 · Etching
Cleared · Public Domain
live
Le Pont-neuf et la Samartaine de dessous la première arche du Pont-au-Change (Pont-neuf and the Samartaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle)
Charles Meryon (d. 1868)
1855 · Etching with engraving
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.