![The Farnese Table by Jacopo [Giacomo] Barozzi da Vignola, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/DP-42913-001.jpg)
The Farnese Table
Jacopo [Giacomo] Barozzi da Vignola (d. 1573)
ca. 1565–73 · Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
315 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Results for "Le Portrait Reconnu (The Recognised Port"12 records
Institutions answered newest-first by record, interleaved
Bookcase (one of a pair)
Niccolo Michetti (d. 1759)
ca. 1715 · Walnut and poplar; iron hinges and locks, metal wire; antique silk and linen brocatelle door curtains (not original)
Cleared · Public Domain
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Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
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Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
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Armchair (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
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Settee (canapé) (part of a set)
Nicolas-Quinibert Foliot (d. 1776)
ca. 1754–56 · Carved and gilded beech; wool and silk tapestry
Cleared · Public Domain
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![[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold] by Unknown, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP274835.jpg)
[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold]
Unknown
April 20, 1865 · Ink on paper with three albumen silver prints from glass negatives
Cleared · Public Domain
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Table clock with calendar
Lucien Falize (d. 1897)
1881 · Case: silver, partly enameled gold, hardstones, rock crystal, amethysts, and diamonds; movement: brass and steel
Cleared · Public Domain
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Lidded prestige vessel
"Unobadula" (d. 1900)
Mid–late 19th century · Wood
Cleared · Public Domain
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Zoomorphic headrest
"Unobadula" (d. 1900)
Mid–late 19th century · Wood
Cleared · Public Domain
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Title page to 'La Gerusalemme Liberata' by Torquato Tasso; Tasso's portrait in a cartouche at top flanked by putti two columns support a tablet with the text, below which a view of the port of Geona
Agostino Carracci (d. 1602)
1590 · Engraving and pen and ink
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Portrait Reconnu (The Recognised Portrait), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme
Jean Michel Moreau le Jeune (d. 1814)
1772 · Etching and engraving; second state of five (bocher)
In copyright
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