Le Premier Volume de la bible en francoiz historiee et nouvellement imprimee
Antoine Vérard (d. 1513)
ca. 1501 · Woodcuts
Cleared · Public Domain
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Where this page got its records
- The Metlive
414 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
484 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Results for "Le Premier Volume de la bible en francoi"12 records
Institutions answered newest-first by record, interleaved
View of Messina Harbor
Louis François Cassas (d. 1827)
1783 · Pen and black and brown ink, brush and brown and gray wash, over traces of black chalk; framing lines in pen and black ink
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Second Volume de la Bible en François
Antoine Vérard (d. 1513)
1510 (?)
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deuxième Cahier du Recueil d'Ornemens; Guichets des Croisées des Thuileries; Trophées (Roundels decorated with trophies from the Tuilerie Palace)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Premier Cahier du Recueil d'Ornemens: Rosaces (Designs for Rosettes)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens; Frise qui est à la Vigne Medicis (Frieze from the Medicean vineyard [at the Villa Medici, Rome])
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Base qui est au Baptistaire de Constantine (Base of a Column at the Lateran Baptistery, Rome)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Quatrième Cahier du Recueil d'Ornemens: Ornements de la Colonne Trajane (Ornaments from Trajan's Column)
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
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No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau Corinthièn Moderne vû sur l'angle (Modern Corinthian Capital seen at an angle)
André-Louis Caillouet (d. 1817)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Receuil d'Ornemens: Chapiteau des quattre Colonnes du Milieu de la Salle des Thermes de Diocletien à Rome (Capital of the Four Columns in the Center of the Nave of the Baths of Diocletian in Rome)
Jean-Baptiste Lucien (d. 1806)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Recueil d'Ornemens: Complete Portfolio of Twelve Series of Architectural Ornaments, collected in Rome and France
Elisabeth Brinclaire (d. 1851)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1899 · Etchings, lithographs, drypoints
In copyright
liveThe MetSimilar
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