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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    390 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    856 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33 matching records exist across the two collections.

Results for "Le Printemps"12 records

Institutions answered newest-first by record, interleaved

Spring by Abraham Bosse, The Metropolitan Museum of Art

Spring

Abraham Bosse (d. 1676)

ca. 1637 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Le Printemps by Auguste Rodin, The Cleveland Museum of Art

Le Printemps

Auguste Rodin (d. 1917)

1883 · Print, drypoint

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Spring (Le Printemps) by Simon Francis Ravenet, the elder, The Metropolitan Museum of Art

Spring (Le Printemps)

Simon Francis Ravenet, the elder (d. 1774)

1742–62 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Little Brids by Charles François Daubigny, The Cleveland Museum of Art

The Little Brids

Charles François Daubigny (d. 1878)

1850 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Spring by Louis Félix de La Rue, The Metropolitan Museum of Art

Spring

Louis Félix de La Rue (d. 1765)

1777 · Etching, engraving and drypoint

Cleared · Public Domain

live
The MetSimilar
Springtime by Charles François Daubigny, The Cleveland Museum of Art

Springtime

Charles François Daubigny (d. 1878)

1857 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Le Printemps by Gilles-Antoine Demarteau, The Metropolitan Museum of Art

Le Printemps

Gilles-Antoine Demarteau (d. 1802)

1785 · Etching and aquatint with mezzotint and stipple

Cleared · Public Domain

live
The MetSimilar
Le Printemps by Jean Jacques Avril, the Elder, The Metropolitan Museum of Art

Le Printemps

Jean Jacques Avril, the Elder (d. 1831)

1760–1831 · Engraving

Cleared · Public Domain

live
The MetSimilar
Spring by Charles Jacque, The Metropolitan Museum of Art

Spring

Charles Jacque (d. 1894)

1864 · Etching

Cleared · Public Domain

live
The MetSimilar
Spring (Le Printemps) by Edmond Hédouin, The Metropolitan Museum of Art

Spring (Le Printemps)

Edmond Hédouin (d. 1889)

1873–74 · Etching and drypoint; proof before letters

Cleared · Public Domain

live
The MetSimilar
Jeanne (Spring) by Edouard Manet, The Metropolitan Museum of Art

Jeanne (Spring)

Edouard Manet (d. 1883)

1882 · Etching on blue laid paper, only state

Cleared · Public Domain

live
The MetSimilar
Spring (Le Printemps) by Auguste Rodin, The Metropolitan Museum of Art

Spring (Le Printemps)

Auguste Rodin (d. 1917)

1882–88 · Drypoint; only state

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.