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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    402 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 11 matching records exist across the two collections.

Results for "Le Sarcophage"12 records

Institutions answered newest-first by record, interleaved

Tomb Effigy of a Boy, Probably Ermengol IX, Count of Urgell by an unrecorded maker, The Metropolitan Museum of Art

Tomb Effigy of a Boy, Probably Ermengol IX, Count of Urgell

Unrecorded maker

first half 14th century · Limestone, traces of paint

Cleared · Public Domain

live
The MetSimilar
Le Sarcophage by Hubert Robert, The Cleveland Museum of Art

Le Sarcophage

Hubert Robert (d. 1808)

1763–64 · Print, etching

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Corbel from the Double Sepulchral Monument of Don Àlvar Rodrigo de Cabrera, Count of Urgell and Viscount of Ager and his wife Cecilia of Foix by an unrecorded maker, The Metropolitan Museum of Art

Corbel from the Double Sepulchral Monument of Don Àlvar Rodrigo de Cabrera, Count of Urgell and Viscount of Ager and his wife Cecilia of Foix

Unrecorded maker

ca. 1300–1350 · Limestone

Cleared · Public Domain

live
The MetSimilar
Corbel from the Double Sepulchral Monument of Don Àlvar Rodrigo de Cabrera, Count of Urgell and His Wife Cecília of Foix by an unrecorded maker, The Metropolitan Museum of Art

Corbel from the Double Sepulchral Monument of Don Àlvar Rodrigo de Cabrera, Count of Urgell and His Wife Cecília of Foix

Unrecorded maker

ca. 1300–1350 · Limestone

Cleared · Public Domain

live
The MetSimilar
Double Tomb of Don Àlvar Rodrigo de Cabrera, Count of Urgell and His Wife Cecília of Foix by an unrecorded maker, The Metropolitan Museum of Art

Double Tomb of Don Àlvar Rodrigo de Cabrera, Count of Urgell and His Wife Cecília of Foix

Unrecorded maker

ca. 1300–1350 · Limestone, traces of paint

Cleared · Public Domain

live
The MetSimilar
Tomb of Ermengol X, Count of Urgell by an unrecorded maker, The Metropolitan Museum of Art

Tomb of Ermengol X, Count of Urgell

Unrecorded maker

ca. 1300–1350 · Limestone with traces of paint

Cleared · Public Domain

live
The MetSimilar
Triumph of Neptune by Alvise of Padua, The Metropolitan Museum of Art

Triumph of Neptune

Alvise of Padua (d. 1526)

ca. 1515–25 · Bronze

Cleared · Public Domain

live
The MetSimilar
Saint Pius V by Angelo de Rossi, The Metropolitan Museum of Art

Saint Pius V

Angelo de Rossi (d. 1715)

early 18th century · Bronze, fire-gilt

Cleared · Public Domain

live
The MetSimilar
Commode by André Charles Boulle, The Metropolitan Museum of Art

Commode

André Charles Boulle (d. 1732)

ca. 1710–20 · Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble

Cleared · Public Domain

live
The MetSimilar
Le Sarcophage by Hubert Robert, The Metropolitan Museum of Art

Le Sarcophage

Hubert Robert (d. 1808)

n.d. · Etching

Cleared · Public Domain

live
The MetSimilar
Napoléon III (1808–1873), Emperor of the French by Jean-Baptiste Carpeaux, The Metropolitan Museum of Art

Napoléon III (1808–1873), Emperor of the French

Jean-Baptiste Carpeaux (d. 1875)

1873 · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Inscriptions of the Freedmen and Slaves of the Family of Augustus...[with sarcophagi and sculptural relief fragments], tome 3, tavola 30 from "Le Antichità Romane" (Roman Antiquities)

Giovanni Battista Piranesi (d. 1778)

published 1756–57 · Etching

In copyright

live
The MetSimilar

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