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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    424 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    308 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Leaf Excised from a Psalter: The Annunci"12 records

Institutions answered newest-first by record, interleaved

Adoration of the Magi by Southern Germany or Austria, The Metropolitan Museum of Art

Adoration of the Magi

Southern Germany or Austria

ca. 1235–50 · Tempera and gold and silver leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Last Supper and the Washing of the Apostles’ Feet Leaf, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Last Supper and the Washing of the Apostles’ Feet Leaf, from a Royal Psalter

Unrecorded maker

ca. 1250–70 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter

Unrecorded maker

ca. 1270 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Annunciation, from a Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Annunciation, from a Psalter

Unrecorded maker

mid-13th century · Tempera, ink, gold, and silver on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Deposition, from a Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Deposition, from a Psalter

Unrecorded maker

mid-13th century · Tempera, ink, gold, and silver on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Resurrection, from a Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Resurrection, from a Psalter

Unrecorded maker

mid-13th century · Tempera, ink, gold, and silver on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with June Calendar, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with June Calendar, from a Royal Psalter

Unrecorded maker

13th century · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Mocking and Flagellation of Christ, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Mocking and Flagellation of Christ, from a Royal Psalter

Unrecorded maker

13th century · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with King David in an Initial I, from a Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with King David in an Initial I, from a Psalter

Unrecorded maker

early 15th century · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Holy Face by Gerard David, The Metropolitan Museum of Art

Holy Face

Gerard David (d. 1523)

ca. 1485–90 · Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
Elijah in the Fiery Chariot by Master of the Barbarigo Reliefs, The Metropolitan Museum of Art

Elijah in the Fiery Chariot

Master of the Barbarigo Reliefs (d. 1575)

ca. 1520 · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar

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