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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    517 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "Leaf from a Book of Hours: Text (verso)"12 records

Institutions answered newest-first by record, interleaved

Leaf from a Book of Hours: Text with Illustrated Border (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text with Illustrated Border (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: St. Barbara (2 of 2 Excised Leaves) by Master of Jacques de Luxembourg, The Cleveland Museum of Art

Leaf from a Book of Hours: St. Barbara (2 of 2 Excised Leaves)

Master of Jacques de Luxembourg

c. 1465 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso) by Boucicaut Master, The Cleveland Museum of Art

Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso)

Boucicaut Master

c. 1415 · Manuscript, ink, tempera, silver, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text (verso) by Boethius Illuminator, The Cleveland Museum of Art

Leaf from a Book of Hours: Text (verso)

Boethius Illuminator

c. 1410–20 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours:  Initial D: Flight into Egypt (2 of 2 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Initial D: Flight into Egypt (2 of 2 Excised Leaves)

Unrecorded maker

early 1300s · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Ape Fishing (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Ape Fishing (verso)

Unrecorded maker

c. 1500–1510 · Manuscript, ink, tempera and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Nativity (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: The Nativity (recto) and Text (verso)

Unrecorded maker

c. 1430 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso) by Boethius Illuminator, The Cleveland Museum of Art

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso)

Boethius Illuminator

c. 1410–20 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Calendar Page for June (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Calendar Page for June (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso)

Unrecorded maker

c. 1460–1500 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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