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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    487 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    319 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 306 matching records exist across the two collections.

Results for "Leaf from a Manuscript of Valerius Maxim"10 records

Institutions answered newest-first by record, interleaved

Leaf from a Beatus Manuscript: Table of the Antichrist by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Beatus Manuscript: Table of the Antichrist

Unrecorded maker

ca. 1180 · Tempera, gold, and ink on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with Initial M, from a Missal by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with Initial M, from a Missal

Unrecorded maker

ca. 1290 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf from a Bible by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf from a Bible

Unrecorded maker

ca. 1280–1300 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf, from a Gradual by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf, from a Gradual

Unrecorded maker

first half 14th century · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Leaf from a Manuscript of Valerius Maximus by Workshop of Pierre Remiet, The Metropolitan Museum of Art

Leaf from a Manuscript of Valerius Maximus

Workshop of Pierre Remiet (d. 1396)

ca. 1380–90 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf, from an Antiphonary by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf, from an Antiphonary

Unrecorded maker

second quarter 15th century · Tempera, ink, and metal leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf from a Missal by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf from a Missal

Unrecorded maker

mid-15th century · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf from a Missal by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf from a Missal

Unrecorded maker

late 15th century · Tempera, ink, shell gold, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf, from a Book of Hours by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf, from a Book of Hours

Unrecorded maker

15th century · Tempera and gold leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf from a Book of Hours by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf from a Book of Hours

Unrecorded maker

ca. 1500 · Tempera, ink, and shell gold on parchment

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.