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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    434 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 192 matching records exist across the two collections.

Results for "Leaf from a Psalter with Full Border wit"12 records

Institutions answered newest-first by record, interleaved

Marble cinerary chest by an unrecorded maker, The Metropolitan Museum of Art

Marble cinerary chest

Unrecorded maker

1st century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Adoration of the Magi by Southern Germany or Austria, The Metropolitan Museum of Art

Adoration of the Magi

Southern Germany or Austria

ca. 1235–50 · Tempera and gold and silver leaf on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with the Agony in the Garden and Betrayal of Christ, from a Royal Psalter

Unrecorded maker

ca. 1270 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaf with June Calendar, from a Royal Psalter by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf with June Calendar, from a Royal Psalter

Unrecorded maker

13th century · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
The Crucifixion by Pietro Lorenzetti, The Metropolitan Museum of Art

The Crucifixion

Pietro Lorenzetti (d. 1344)

1340s · Tempera and gold leaf on wood

Cleared · Public Domain

live
The MetSimilar
Fudō Myōō (Achala Vidyaraja) by an unrecorded maker, The Metropolitan Museum of Art

Fudō Myōō (Achala Vidyaraja)

Unrecorded maker

13th–14th century · Painted and lacquered wood, with cut gold leaf (kirikane); joined-block construction (yosegi-zukuri)

Cleared · Public Domain

live
The MetSimilar
Prophet from a Throne of Solomon by an unrecorded maker, The Metropolitan Museum of Art

Prophet from a Throne of Solomon

Unrecorded maker

ca. 1390–1410 · Colorless glass, silver stain, and vitreous paint

Cleared · Public Domain

live
The MetSimilar
Covered Beaker by Hans Greiff, The Metropolitan Museum of Art

Covered Beaker

Hans Greiff (d. 1516)

ca. 1470 · Silver, gilded silver, enamel, and glass

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with David in Prayer in an Initial M, from a Psalter by Girolamo dai Libri, The Metropolitan Museum of Art

Manuscript Illumination with David in Prayer in an Initial M, from a Psalter

Girolamo dai Libri (d. 1555)

1501–2 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Men Preparing Some Sort of Intoxicant in the Country by an unrecorded maker, The Metropolitan Museum of Art

Men Preparing Some Sort of Intoxicant in the Country

Unrecorded maker

mid-17th century · Ink, watercolor, and opaque watercolor on paper

Cleared · Public Domain

live
The MetSimilar
Tobacco box by an unrecorded maker, The Metropolitan Museum of Art

Tobacco box

Unrecorded maker

late 17th century · Brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

71125, fifty years of silence : Eva Kellner's story

Tana Kellner (d. 9999)

1992

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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