Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 27 matching records exist across the two collections.

Results for "Leaf from an Antiphonary: Text (verso)"12 records

Institutions answered newest-first by record, interleaved

Leaf from an Antiphonary: Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from an Antiphonary: Text (verso)

Unrecorded maker

c. 1475 · Manuscript, Ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from an Antiphonary: Floral Initial (recto); Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from an Antiphonary: Floral Initial (recto); Text (verso)

Unrecorded maker

c. 1475 · Manuscript, Ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from an Antiphonary: Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from an Antiphonary: Text (verso)

Unrecorded maker

c. 1480 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from an Antiphonary: Initial H with the Nativity (recto) and Text (verso)

Unrecorded maker

c. 1480 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Ape Fishing (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Ape Fishing (verso)

Unrecorded maker

c. 1500–1510 · Manuscript, ink, tempera and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text (verso) by Boethius Illuminator, The Cleveland Museum of Art

Leaf from a Book of Hours: Text (verso)

Boethius Illuminator

c. 1410–20 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso) by Boethius Illuminator, The Cleveland Museum of Art

Leaf from a Book of Hours: Annunciation to the Shepherds (recto) and Text (verso)

Boethius Illuminator

c. 1410–20 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Psalter and Prayerbook: Calendar Page with Peasant (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Psalter and Prayerbook: Calendar Page with Peasant (verso)

Unrecorded maker

c. 1524 · Manuscript, ink, tempera and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Nativity (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: The Nativity (recto) and Text (verso)

Unrecorded maker

c. 1430 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso)

Unrecorded maker

early 1300s · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom) by Mushfiq, The Cleveland Museum of Art

Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al-Rahman Jami (Persian, 1414–1492); verso from a Panj Ganj of Abd al-Rahman Jami (Persian, 1414–1492), with two masnavis: Yusuf va Zulaykha (Joseph and Zulaykha) and Khirad-nama-i Iskandari (Alexander’s Book of Wisdom)

Mushfiq

Text copied by Sultan-Ali Mashhadi (Persian, 1453–1520) for Badi al-Zaman Mirza of Herat Painting, borders, and illumination by Mushfiq (Indian, active 1580s–early 1600s); Text copied in Herat; Painting, borders, and illuminations made in the Deccan for Mughal minister Abd al-Rahim the Khan Khanan · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto) by Coëtivy Master, The Cleveland Museum of Art

Leaf from a Book of Hours: Office of the Dead: Angel Chasing a Devil (recto)

Coëtivy Master

c. 1460 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.