
Sealing with stamp seal impressions: radiating griffins; banquet scene
Unrecorded maker
ca. 18th century BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
530 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 93 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sealing with stamp seal impressions: radiating griffins; banquet scene
Unrecorded maker
ca. 18th century BCE · Ceramic
Cleared · Public Domain
live
Snuffbox (?) (one of a pair)
Mennecy
1760–70 · Soft-paste porcelain
Cleared · Public Domain
live
Souvenir
Unrecorded maker
1771–72 · Gold; ivory tablet
Cleared · Public Domain
live
Snuffbox
Sèvres Manufactory (d. 9999)
ca. 1765–70 · Soft-paste porcelain, silver
Cleared · Public Domain
live
The God of Good Fortune Jurōjin
Soga Shōhaku (d. 1781)
ca. 1773 · Hanging scroll; ink and color on paper
Cleared · Public Domain
live
Souvenir
Unrecorded maker
last quarter 18th century · Gold, ivory
Cleared · Public Domain
live
Slipper Chair
John Henry Belter (d. 1863)
ca. 1855 · Rosewood, ash (secondary wood), modern upholstery
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Parables of Our Lord and Saviour Jesus Christ
Sir John Everett Millais (d. 1896)
1864 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Leaves a Good Impression (Advertisement for Pears' Soap)
A. & F. Pears
late 19th century · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The white shield
Margaret Neilson Armstrong (d. 1944)
1912
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four Roses Whiskey: Worth Reaching For
Anton Bruehl (d. 1982)
1949 · Photomechanical print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
That is Right
Edward Ruscha (d. 9999)
1989 · 16 lithographs; 11 B.A.T. proofs and one A.P. from the portfolio of 12 and 4 prints with notations
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.