
Folio from a Qur'an Manuscript
Unrecorded maker
9th–10th century · Ink and gold on parchment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
707 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,069 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Folio from a Qur'an Manuscript
Unrecorded maker
9th–10th century · Ink and gold on parchment
Cleared · Public Domain
live
Left side of a double-page album folio: Outside a Royal Encampment (recto)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor and gold on paper
Cleared · CC0
live
Folio from the so-called “Sulayhid Qur’an”
Unrecorded maker
AH 417/1026 CE and later in the 11th century · Ink, gold, and opaque watercolor on paper
Cleared · Public Domain
live
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor, ink, and gold on paper
Cleared · CC0
live
Lucidario di Recami, page 5 (recto)
Iseppo Foresto (d. 1580)
1564 · Woodcut
Cleared · Public Domain
live
"Courtiers with a Riderless Horse", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album
Abu'l Fazl (d. 1602)
ca. 1604 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
'Unwan from the Shah Jahan Album
Mir 'Ali Haravi (d. 1575)
recto: ca. 1630–40; verso: ca. 1540 · Ink, opaque watercolor, and gold on paper
Cleared · Public Domain
live
Album of Bit Designs
Rudolf Franz Ferdinand von Talmberg (d. 1727)
1674 · Ink on paper
Cleared · Public Domain
live
Chief Etchers and Best Italian (Wilton House Album)
Unrecorded maker
early 18th century binding
Cleared · Public Domain
live
Girl on a swing, a man with his arms raised; folio 21 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes) (d. 1828)
1795–97 · Brush and point of brush, carbon black washes
Cleared · Public Domain
live
Two brothers killing their sister's lover in her presence; folio 77 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes) (d. 1828)
1796–98 · Brush and point of brush, carbon black washes
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album Page 10: Lower East Side, The Bowery Vicinity, Manhattan]
Berenice Abbott (d. 1991)
1929 · Gelatin silver prints
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.