
Children playing
Pierre Alexandre Aveline (d. 1760)
1750 · Etching and engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
693 ms. The Metropolitan Museum of Art, Collection API (Open Access)
243 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 110 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Children playing
Pierre Alexandre Aveline (d. 1760)
1750 · Etching and engraving
Cleared · Public Domain
live
The Cheerful Cupids
Jean Daullé (d. 1763)
1750 · Etching and engraving
Cleared · Public Domain
live
Les Amours Pastorales
Robert Hancock (d. 1817)
ca. 1755–60 · Enamel on copper
Cleared · Public Domain
live
Les Amours Champêtres
Pierre Antoine Baudouin (d. 1769)
1767 · Engraving
Cleared · Public Domain
live
Les Grâces lutinées par les amours
Louis Lagrenée (d. 1805)
1778 · Pen and brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
live
Daphnis Running toward Chloe
baron François Gérard (d. 1837)
ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales De Daphnis Et Chloé
Longus (d. 299)
1745
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales de Daphnis et Chloé
Longus (d. 299)
1776
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours de Daphnis et Chloé
Jacques Amyot
1800
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours du Bonton: Conclusion et Morale
Langlumé (d. 1830)
1825–35 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales de Daphnis et Chloé, écrites en grec par Longus et traduites en français par Aymot
Charles-Emile Carlègle (d. 1940)
1919 (4 Oct.) · Woodcut
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales de Daphnie et Chloé
André-Edouard Marty (d. 1974)
1934
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.