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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    693 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    243 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 110 matching records exist across the two collections.

Results for "Les Amours Pastorales"12 records

Institutions answered newest-first by record, interleaved

Children playing by Pierre Alexandre Aveline, The Metropolitan Museum of Art

Children playing

Pierre Alexandre Aveline (d. 1760)

1750 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
The Cheerful Cupids by Jean Daullé, The Metropolitan Museum of Art

The Cheerful Cupids

Jean Daullé (d. 1763)

1750 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Les Amours Pastorales by Robert Hancock, The Metropolitan Museum of Art

Les Amours Pastorales

Robert Hancock (d. 1817)

ca. 1755–60 · Enamel on copper

Cleared · Public Domain

live
The MetSimilar
Les Amours Champêtres by Pierre Antoine Baudouin, The Metropolitan Museum of Art

Les Amours Champêtres

Pierre Antoine Baudouin (d. 1769)

1767 · Engraving

Cleared · Public Domain

live
The MetSimilar
Les Grâces lutinées par les amours by Louis Lagrenée, The Metropolitan Museum of Art

Les Grâces lutinées par les amours

Louis Lagrenée (d. 1805)

1778 · Pen and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Daphnis Running toward Chloe by baron François Gérard, The Metropolitan Museum of Art

Daphnis Running toward Chloe

baron François Gérard (d. 1837)

ca. 1798 · Black chalk, brush with brown and gray wash, heightened with white gouache, on light tan wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours Pastorales De Daphnis Et Chloé

Longus (d. 299)

1745

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours Pastorales de Daphnis et Chloé

Longus (d. 299)

1776

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours de Daphnis et Chloé

Jacques Amyot

1800

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours du Bonton: Conclusion et Morale

Langlumé (d. 1830)

1825–35 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours Pastorales de Daphnis et Chloé, écrites en grec par Longus et traduites en français par Aymot

Charles-Emile Carlègle (d. 1940)

1919 (4 Oct.) · Woodcut

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours Pastorales de Daphnie et Chloé

André-Edouard Marty (d. 1974)

1934

In copyright

live
The MetSimilar

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2. Read the arithmetic

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