Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
148 ms. The Metropolitan Museum of Art, Collection API (Open Access)
281 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 230 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume I
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume II
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume III
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs and an etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume IV
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume IX
John Joseph François Bellel (d. 1898)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume V
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume VI
Francesco Cisneros (d. 1878)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume VII
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume VIII
Alexandre Bida (d. 1895)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Artistes Anciens et Modernes, Volume X
Henri-Charles-Antoine Baron (d. 1885)
1848–62 · Periodical with lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Satan, from Les Artistes Anciens et Modernes, volume 5, plate 102
Paul Gavarni [Chevalier] (d. 1866)
1848–62 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Thomas Vireloque, from Les Artistes Anciens et Modernes, volume 5, plate 107
Paul Gavarni [Chevalier] (d. 1866)
1848–62 · Lithograph; second state of two (Armelhault & Bocher)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.