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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    516 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    376 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Les Deux Coeurs (The Two Hearts), plate"12 records

Institutions answered newest-first by record, interleaved

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters) by Jacques Callot, The Metropolitan Museum of Art

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)

Jacques Callot (d. 1635)

1621–35 · Etching; second state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters) by Jacques Callot, The Metropolitan Museum of Art

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)

Jacques Callot (d. 1635)

1621–35 · Etching and letterpress; second state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
The Old Woman and the Two Maids, plate 118 from "Fables choisies de La Fontaine ornées de figures lithographiques..." by Horace Vernet, The Metropolitan Museum of Art

The Old Woman and the Two Maids, plate 118 from "Fables choisies de La Fontaine ornées de figures lithographiques..."

Horace Vernet (d. 1863)

ca. 1818–21 · Hand-colored lithograph; second state of three

Cleared · Public Domain

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The MetSimilar
Textile Design with Paisley Motifs and Garlands of Berry Sprays and Stylized Flowers by H. Minder, fils, The Metropolitan Museum of Art

Textile Design with Paisley Motifs and Garlands of Berry Sprays and Stylized Flowers

H. Minder, fils (d. 19)

mid-19th century · Gouache

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Deux Mendiantes (The Two Female Beggars), plate 8 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Deux Pélerins (The Two Pilgrims), plate 3 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot (d. 1635)

ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Deux Coeurs (The Two Hearts), plate 24 from "Lux Claustri ou La Lumière du Cloitre" (The Light of the Cloisters)

Jacques Callot (d. 1635)

1646 · Etching and letterpress; second state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deux Danseuses D'aprés les Peintures antiques trouvées a Herculanum, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"

Jean Barbault (d. 1762)

1761 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Orfèvre Jouaillier, Metteur en Oeuvre, Brillans

Benard

1751–72 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

We have them for a decade, my doves, the king of hearts and the king of clubs: two ugle beggars!... (Nous en avons pour une dizaine d'années, mes colombes, du Roi-de-coeur ru du Roi-de-trefle: deux affreux gueux!...), plate VIII from the series Les Lorettes Vieillies, published in Paris (Journal), November 5, 1852

Paul Gavarni [Chevalier] (d. 1866)

November 5, 1852 · Crayon and ink lithograph with scraping

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cinéraires (Cinerarias), pl. 25

Emile-Allain Séguy (d. 1951)

[1902] · Pochoir

In copyright

live
The MetSimilar

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