Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
355 ms. The Metropolitan Museum of Art, Collection API (Open Access)
322 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Les Deux Mendiantes (The Two Female Beggars), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Les Deux Pélerins (The Two Pilgrims), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
Cleared · Public Domain
live
Reverse Copy of Les Deux Mendiantes (The Two Female Beggars), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Reverse Copy of Les Deux Pélerins (The Two Pilgrims), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Anonymous
17th century · Etching
Cleared · Public Domain
live
Watch with portrait of Friedrick Wilhelm, the Great Elector
Johann G. Racine (d. 1748)
case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel
Cleared · Public Domain
live
The Two Bathers
Auguste Renoir (d. 1919)
1895 · Etching on cream wove paper; only state
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Deux Mendiantes (The Two Female Beggars), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Deux Mendiantes (The Two Female Beggars), plate 8 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Deux Pélerins (The Two Pilgrims), plate 3 from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)
Jacques Callot (d. 1635)
ca. 1623 · Etching; second state of two (Lieure); possibly a re-strike by Israel Silvestre
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une Dame Musicienne Entre Deux Hommes (A Female Musician Between Two Men), from "Les Fantasies" (The Fantasies)
Jacques Callot (d. 1635)
1635 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Une Dame Musicienne Entre Deux Hommes (A Female Musician Between Two Men), from Les Fantaisies (The Fantasies)
Jacques Callot (d. 1635)
1635 · Etching; first state of two (Lieure)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Deux Danseuses D'aprés les Peintures antiques trouvées a Herculanum, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.