
Two Cupids Wrestling Pan (Pan Vancu par les Amours)
Antoine Coypel (d. 1722)
1692 · Etching; first state of two
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
405 ms. The Metropolitan Museum of Art, Collection API (Open Access)
782 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 8 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Two Cupids Wrestling Pan (Pan Vancu par les Amours)
Antoine Coypel (d. 1722)
1692 · Etching; first state of two
Cleared · Public Domain
live
Wall clock (pendule en cartel)
Jean Godde l'aîné (d. 1749)
ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel
Cleared · Public Domain
live
Les Grâces lutinées par les amours
Louis Lagrenée (d. 1805)
1778 · Pen and brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
live
L'Amour couronné par les Graces (Cupid crowned by the Graces)
Alexandre Chaponnier (d. 1805)
1770–1805 · Color stipple engraving, printed in blue, red and brown
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours de Glicère et d'Alexis (The Loves of Glicère and Alexis), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme
Jean Michel Moreau le Jeune (d. 1814)
1772 · Etching and engraving; second state of five (bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Triumph of Cupid (Amour triomphant), plate 1 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)
Tommaso Piroli (d. 1824)
1803 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pour ne pas afficher ses amours, sortir précipitamment par une porte dérobée et rester pris au traquenard, plate XII from the suite Les Petits Malheurs du Bonheur, published in Le Charivari, February 21, 1838
Paul Gavarni [Chevalier] (d. 1866)
February 21, 1838 · Lithograph; first and only state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Amours Pastorales de Daphnis et Chloé, écrites en grec par Longus et traduites en français par Aymot
Charles-Emile Carlègle (d. 1940)
1919 (4 Oct.) · Woodcut
In copyright
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