Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    405 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    782 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Les Grâces lutinées par les amours"8 records

Institutions answered newest-first by record, interleaved

Two Cupids Wrestling Pan (Pan Vancu par les Amours) by Antoine Coypel, The Metropolitan Museum of Art

Two Cupids Wrestling Pan (Pan Vancu par les Amours)

Antoine Coypel (d. 1722)

1692 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Les Grâces lutinées par les amours by Louis Lagrenée, The Metropolitan Museum of Art

Les Grâces lutinées par les amours

Louis Lagrenée (d. 1805)

1778 · Pen and brown ink, brush and brown wash, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
L'Amour couronné par les Graces (Cupid crowned by the Graces) by Alexandre Chaponnier, The Metropolitan Museum of Art

L'Amour couronné par les Graces (Cupid crowned by the Graces)

Alexandre Chaponnier (d. 1805)

1770–1805 · Color stipple engraving, printed in blue, red and brown

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours de Glicère et d'Alexis (The Loves of Glicère and Alexis), from Choix de chansons mises en musique par M. De La Borde, Premier Valet-de-Chambre ordinaire du Roi, Gouverneur du Louvre. Ornées d'Estampes Par J.M. Moreau, Dédiées à Madame la Dauphine. A Paris Chez de Lormel, Imprimeur de l'Académie Royale de Musique rue du Foin Saint-Jacques. MDCCLXXIII. Avec Aprobation et Privilège du roi. Gravées par Moira et M.lle Vendôme

Jean Michel Moreau le Jeune (d. 1814)

1772 · Etching and engraving; second state of five (bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Triumph of Cupid (Amour triomphant), plate 1 from "Peintures de la Villa Lante, à Rome, de l'Invention de Jules Romain, Recueillies par les Piranesi, et Dessinées par Thomas Piroli" (Paintings from the Villa Lante by Giulio Romano, published by the Piranesi brothers and drawn by Thomas Piroli)

Tommaso Piroli (d. 1824)

1803 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Pour ne pas afficher ses amours, sortir précipitamment par une porte dérobée et rester pris au traquenard, plate XII from the suite Les Petits Malheurs du Bonheur, published in Le Charivari, February 21, 1838

Paul Gavarni [Chevalier] (d. 1866)

February 21, 1838 · Lithograph; first and only state

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les Amours Pastorales de Daphnis et Chloé, écrites en grec par Longus et traduites en français par Aymot

Charles-Emile Carlègle (d. 1940)

1919 (4 Oct.) · Woodcut

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.