
Eagle transformation figure
Olmec artist(s)
1000–400 BCE · Albitite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
932 ms. The Metropolitan Museum of Art, Collection API (Open Access)
437 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 14 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Eagle transformation figure
Olmec artist(s)
1000–400 BCE · Albitite
Cleared · Public Domain
live
Aeëtes Gathers the Limbs of Absyrtes (Tandis qu'il fait les membres ramasser, Grecs font devoir de leurs voiles haulser...), from "Jason and the Golden Fleece"
René Boyvin (d. 1598)
1563 · Engraving
Cleared · Public Domain
live
An Indian Yogi Tied to a Palm Tree
Willem Schellinks (d. 1678)
mid-17th–late 17th century · Black chalk, graphite, red chalk; framing line in graphite, by the artist
Cleared · Public Domain
live
Pair of candlestands
Unrecorded maker
ca. 1735 · Linden wood; cut and gilded gesso; Tegernsee limestone top
Cleared · Public Domain
live
Marie Antoinette in a Park
Elisabeth Louise Vigée Le Brun (d. 1842)
ca. 1780–81 · Black chalk, stumped, and white chalk; framing lines in black chalk
Cleared · Public Domain
live
Watch
Daniel Vauchez (d. 1790)
ca. 1783–90 · Case: partly enameled gold set with pearls, gold bezel with diamonds set in silver; Dial: white enamel with openwork brass hands; Movement: brass and steel
Cleared · Public Domain
live
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
live
Seated binukedine ( priest)
Dogon blacksmith
18th–19th century · Wood, iron
Cleared · Public Domain
live
Female figure from an obu (house of images)
Igbo artist
Late 19th century · Wood, pigment
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Membres et L'Estomac (The Limbs and The Stomach) (Volume I, Page 119), from Oeuvres de La Fontaine. Nouvelle Edition. Revue, mise en ordre et accompagnée de notes Par C.A. Walkenaer, membre de l'Institut. A Paris chez Lefèvre, Libraire. Rue de L'Eperon No. 6. MDCCCXXII
Schroeder (d. 1900)
1821 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Double plank figure with raised arms
Tellem or Dogon blacksmith
16th–19th century · Wood, applied organic materials
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Snake Pendant
Baule or Lagoon artist
19th–mid-20th century · Gold
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.