The Great Provost of Rome with his Archers
Nicholas Boucquet (d. 1700)
1648–1700 · Engraving; third state of three
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
443 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
375 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 208 matching records exist across the two collections.
Results for "Les Soirées de Rome: Le Buste"12 records
Institutions answered newest-first by record, interleaved
Les Soirées de Rome: Le Buste
Hubert Robert (d. 1808)
1764 · Print, etching
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plate 10: The Ancient Gallery: a large covered gallery, light entering from the background, six figures standing atop piles of rocks in the foreground, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveThe MetSimilar
Plate 5: The Ancient Temple: a woman descending a staircase at left and giving alms to a beggar, a rotunda at right, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveThe MetSimilar
Plate 9: The Pulley: a man and a woman conversing to right, a lantern hung on a post to left, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveThe MetSimilar
Title page: a wall in center surrounded by ruins and poplar trees, surmounted by a vase decorated with the head of a satyr, from "Les soirées de Rome"
Hubert Robert (d. 1808)
ca. 1763–64 · Etching
Cleared · Public Domain
liveThe MetSimilar
Title, "Les Soirées de Rome"
Hubert Robert (d. 1808)
n.d. · Etching
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Amphitheatre Castrense, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vüe d'un Arc élevé a l'honneur de Galien sur le mont Esquilin, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vue d'une Cascade sur les bords du Tibre près de Rome
Claude Augustin Duflos le Jeune (d. 1786)
18th century · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The End of the Python, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
Jean Jacques François Le Barbier (d. 1826)
1805 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flora
Paul-Albert Besnard (d. 1934)
1899 · Etching; third state of four
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.