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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    518 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 23 matching records exist across the two collections.

Results for "Les couleurs en photographie et en parti"12 records

Institutions answered newest-first by record, interleaved

Myologie Complette en Couleur et Grandeur Naturelle by Joseph Guichard Duverney, The Metropolitan Museum of Art

Myologie Complette en Couleur et Grandeur Naturelle

Joseph Guichard Duverney (d. 1730)

1746 · Illustrations: color mezzotints

Cleared · Public Domain

live
The MetSimilar
Snuffbox by Jean Frémin, The Metropolitan Museum of Art

Snuffbox

Jean Frémin (d. 1786)

1757–58 · Gold

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Itelmen Preparing Fish to be Dried by Jean-Baptiste Le Prince, The Metropolitan Museum of Art

Itelmen Preparing Fish to be Dried

Jean-Baptiste Le Prince (d. 1781)

1769 · Pen and black ink, brush and gray wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Fox by Louis Ducos Du Hauron, The Metropolitan Museum of Art

Fox

Louis Ducos Du Hauron (d. 1920)

ca. 1870 · Three-color assembly print

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Views of the Head (plate 4), in Myologie Complette en Couleur et Grandeur Naturelle

Joseph Guichard Duverney (d. 1730)

1746 · Color mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Incroyable: Chapeau en Bateau, Habit Couleur Crotin, Culotte de Peau

Horace Vernet (d. 1863)

1814 · Hand colored engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les couleurs en photographie et en particulier l'héliochromie au charbon : traité contenant, dans leur état le plus récent, les formules et la mise en pratique du système de photographie des couleurs publié par l'auteur au mois de mars 1869

Louis Ducos Du Hauron (d. 1920)

1869 · Printed book

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Les couleurs en photographie: causerie

Louis-Désiré Blanquart-Évrard (d. 1872)

1871 · Lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1897 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1898 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1899 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.