
Modified celt-pendant with incised motifs
Olmec artist(s)
900–600 BCE · Jadeite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
180 ms. The Metropolitan Museum of Art, Collection API (Open Access)
465 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 16 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Modified celt-pendant with incised motifs
Olmec artist(s)
900–600 BCE · Jadeite
Cleared · Public Domain
live
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II (d. 1698)
ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)
Cleared · Public Domain
live
Armchair (fauteuil à la reine)
Unrecorded maker
ca. 1690–1710 · Carved and gilded walnut, late 17th-century wool velvet (not original)
Cleared · Public Domain
live
Commode
André Charles Boulle (d. 1732)
ca. 1710–20 · Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Cleared · Public Domain
live
Traveling table (table de voyage or table pliante)
Unrecorded maker
ca. 1700–1720 · Carved walnut; gilt-bronze mounts; steel hinges; linings of felt and leather
Cleared · Public Domain
live
Shepherd with His Flock in a Clearing
Jean-Baptiste Le Prince (d. 1781)
1776 · Brush and brown wash, over black chalk; framing lines in pen and brown ink
Cleared · Public Domain
live
Pair of tripod stands (athèniennes)
Jean-Henri Eberts (d. 1825)
ca. 1773 · Carved and gilded pine; brass liners; gilt bronze
Cleared · Public Domain
live
Commode à vantaux
David Roentgen (d. 1807)
ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Cleared · Public Domain
live
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Makpo royal scepter with pineapple
Hountondji guild artists
1889–94 · Silver-copper alloy, wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L'Estampe et L'Affiche
Clément-Janin
1897 · Etchings, lithographs, drypoints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les fruits du temps, éd. 1/4
Chérif Thiam
ca. 1970s · Cotton (warp), wool (weft), and other unidentified fibers
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.