
And in this suit for separation, gentlemen, observe two things, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
297 ms. The Metropolitan Museum of Art, Collection API (Open Access)
269 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 155 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

And in this suit for separation, gentlemen, observe two things, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
live
Sir, I offer you my respects and my daughter, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
live
Vocal Concert, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
live
What do you think of the expedition?, from "Metamorphoses of the Day"
J. J. Grandville (d. 1847)
1829 · Hand-colored lithograph
Cleared · Public Domain
live
Plate with a scene from Métamorphoses du Jour (plate 3)
Creil (d. 1895)
ca. 1830–40 · Glazed earthenware with transfer-printed decoration
Cleared · Public Domain
live
Plate with a scene from Métamorphoses du Jour (plate 37)
Creil (d. 1895)
ca. 1830–40 · Glazed earthenware with transfer-printed decoration
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Quatre Parties du Jour
F. W. Zacharie
1769 · plates: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mode du Jour No. 6: Les Décroteurs du Palais Egalité
Florion (d. 1880)
1800–05 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les métamorphoses du jour
J. J. Grandville (d. 1847)
n.d. · Hand-colored lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Métamorphoses du Jour
J. J. Grandville (d. 1847)
1854 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Métamorphoses du Jour
J. J. Grandville (d. 1847)
1899 · Wood engraving, hors-texte plates are hand painted with watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Les Jeux du Demi-Jour, Les Arts et le Livre
Pierre Mac Orlan (d. 1970)
1926
In copyright
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.