Jason, part I, plate 6 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 11, 1807 · Etching and mezzotint; first state of five
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
502 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
304 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 92 matching records exist across the two collections.
Results for "Liber Studiorum: London from Greenwich"12 records
Institutions answered newest-first by record, interleaved
Liber Studiorum: London from Greenwich
Joseph Mallord William Turner (d. 1851)
1790–1851 · Print, etching and mezzotint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Dunstanborough Castle, part III, plate 14 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 10, 1808 · Etching, aquatint and mezzotint; first state
Cleared · Public Domain
liveThe MetSimilar
Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching, mezzotint and drypoint; first state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
London from Greenwich, part V, plate 26 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1811 · Etching and mezzotint; first state of four
Cleared · Public Domain
liveThe MetSimilar
Young Anglers, part VII from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
June 1, 1811 · Etching and mezzotint; first state of three
Cleared · Public Domain
liveThe MetSimilar
Calm, part IX, plate 44 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
April 23, 1812 · Etching, aquatint and mezzotint; third state of seven (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Frontispiece from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
May 1812 · Etching and mezzotint; first state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Bonneville, Savoy, part XIII, plate 64 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching, aquatint and mezzotint; first state of three
Cleared · Public Domain
liveThe MetSimilar
Isis, part XIV, plate 68 from "Liber Studiorum"
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; fifth state of five (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Isleworth (Liber Studiorum, part XIII, plate 63)
Joseph Mallord William Turner (d. 1851)
January 1, 1819 · Etching and mezzotint; third state of four (Finberg)
Cleared · Public Domain
liveThe MetSimilar
Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum)
Joseph Mallord William Turner (d. 1851)
1813–23 · Etching
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.