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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    603 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    351 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Liber Studiorum: Mill near the Grand Ch"7 records

Institutions answered newest-first by record, interleaved

Pembury Mill, Kent (Liber Studiorum, part III, plate 12) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Pembury Mill, Kent (Liber Studiorum, part III, plate 12)

Joseph Mallord William Turner (d. 1851)

June 10, 1808 · Etching

Cleared · Public Domain

live
The MetSimilar
Pembury Mill, Kent (Liber Studiorum, part III, plate 12) by Joseph Mallord William Turner, The Metropolitan Museum of Art

Pembury Mill, Kent (Liber Studiorum, part III, plate 12)

Joseph Mallord William Turner (d. 1851)

June 10, 1808 · Etching and mezzotint; second state of four (Finberg)

Cleared · Public Domain

live
The MetSimilar
Pembury Mill, Kent, part III, plate 12 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Pembury Mill, Kent, part III, plate 12 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 10, 1808 · Etching and mezzotint; first state of four (Finberg)

Cleared · Public Domain

live
The MetSimilar
Windmill and Lock, part VI, plate 27 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Windmill and Lock, part VI, plate 27 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

June 1, 1811 · Etching and mezzotint; first state of three

Cleared · Public Domain

live
The MetSimilar
Water Mill, part VII, plate 37 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Water Mill, part VII, plate 37 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

February 1, 1812 · Etching and mezzotint; first state of three (Finberg)

Cleared · Public Domain

live
The MetSimilar
Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; first state of four

Cleared · Public Domain

live
The MetSimilar
The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum" by Joseph Mallord William Turner, The Metropolitan Museum of Art

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner (d. 1851)

January 1, 1816 · Etching and mezzotint; first state of three

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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