
Upper part of a male seated figure
Unrecorded maker
ca. 1800–1650 B.C. · Fine-grained grey stone (graywacke?)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
924 ms. The Metropolitan Museum of Art, Collection API (Open Access)
299 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,401 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Upper part of a male seated figure
Unrecorded maker
ca. 1800–1650 B.C. · Fine-grained grey stone (graywacke?)
Cleared · Public Domain
live
Lid with Seated Male Figure
Unrecorded maker
1st–2nd century · Bronze
Cleared · Public Domain
live
Seated male figure
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Seated male figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Seated Male Figure
Unrecorded maker
2nd–4th century · Ceramic
Cleared · Public Domain
live
Seated male figure
Unrecorded maker
mid-16th century · Bronze
Cleared · Public Domain
live
Standing Male Figure with Right Arm Extended (recto); Seated Male Figure (verso)
Romulo Cincinnato (d. 1597)
1540–97 · Pen and brown ink (recto); seated male figure in pen and brown ink (in part cut off) (verso)
Cleared · Public Domain
live
Seated Male Figure
Daniel Rasmusson (d. 2023)
ca. 1939 · Pen and black ink and wash with traces of graphite on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Jomogoni male figure
Bamana numu (blacksmith)
15th–17th century · Wood, mud
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Male Figure with Folded Hands
Edouard Vuillard (d. 1940)
ca. 1895 · Black chalk
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vessel Lid with Python and Male Figure
Woyo-Kongo artist
19th–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seated Figure
Unrecorded maker
19th–20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.